Evan Kuchar 
The Damnation of Faust(2)
Berlioz based his libretto on Goethe’s classic Faust legend, in which the eponymous scientist pursues love at the expense of his soul. Berlioz unfolds the drama at the onset of Spring, resonating with what Chicagoans must be feeling in coming weeks
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Katya Kabanova
Writing in 1921, Janáček benefits from early explorations of human psychology and creates a moving drama devoid of excess. Katya may be of the same lineage as Madama Butterfly, but Janáček trims the fat to make his opera just over 2 hours with intermission. Lyric’s production mirrors the sparseness, affording the drama more psychological space in which to explore.
Gossamer
Aside from the people on stage, Gossamer required the input and collaboration of a whole team of designers. Most strikingly, the puppets, designed by Cynthia Von Orthal, not only managed to turn a human actor into a very believable dog but also somehow gave the terrible mystery of the Sinisteeds a more concrete, yet no less terrifying, presence.
Ernani
Musically and dramatically, Verdi fails to tell a coherent story. He steals from the previous generation of composers, notably Donizetti, to write light dances and marches to accompany both joy and despair