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Not To Be Missed:

The Spitfire Grill

 SPAMALOT

The Violet Hour

Spelling Bee

Love Song

Angels In America

Part I & II

The Secret Garden

Clash by Night

Urinetown

Dealer’s Choice

Romance

Loose Knit

A Flea in Her Ear

The Sweetest Swing in Baseball

 A Life in the Theatre

Two For the Show

Hizzoner

Menopause The Musical

Daughters, Sisters, Mothers

Four one acts by David Mamet

Almost Done

Directed by Ann Filmer

Reunion

Directed by Ann Filmer

Jolly

Directed by Rick Snyder

Dark Pony

Directed by Ann Filmer

At the Goodman Theatre

170 N. Dearborn

Chicago, IL

Call 312-443-3800

In repertory as part of the David Mamet Festival

Through April 22, 2006

More mature Mamet one acts enjoyable

The Daughters, Sisters, Mothers segment of Mamet one acts were indicative of the wit and biting sting of Mamet’s dialogue.

In Almost Done, Bethany Caputo relays s childhood memory of a long hike through the snow that turns into a meditation on the learned lesson of aging. This optimistic 10 minute piece was engagingly presented with sparkle by Caputo.

Reunion, directed by Ann Filmer, is a 50 minute tense encounter between an aging drunk, Bernie (Danny Goldring in a marvelous performance) and his estranged daughter, Carol (Bethany Caputo). This subtle reunion is filled with terrific indirection that demonstrates the pain associated with a father and daughter as they try to establish a bond after too many years apart. There is a strong unspoken chemistry between Goldring and Caputo that makes this play worthy.

Jolly, directed with gusto by Rick Snyder, is Mamet taking a shot at family angst as two siblings and a husband get drunk lambasting their departed mother. Bobby (Joe Dempsey) and his sister Jolly (Rengin Altay) still feel the negative influence of their hated dead mother. Filled with bittersweet Mamet-speak, the work is a bleak story of how family bonds can haunt the children long after the parents are gone. This 35 minute piece was strongly played by Rengin Altay as the not so jolly, Jolly.

Dark Pony, directed by Ann Filmer, finds Danny Goldring wonderfully, in full storytelling mode, trying to comfort his young daughter with a cute telling of a legend of the fearless Dark Pony. Goldring uses an American Indian tone complete with sound effects to effectively tell his yarn. Mamet demonstrates his talent for creating compelling legends in this charming piece.

This group of Mamet short plays works well and is wonderfully acted to produce another terrific part of the Mamet Festival.

Recommended

Tom Williams

Tom99@chicagocritic.com for comments

Talk Theatre in Chicago Podcast

Date reviewed April 7, 2006

 

 

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