Theatre seats play tickets

Theater tickets

Odd  Couple tickets

Wicked tickets

Partner/Investor need for this site. $8500 needed email for Info

Chicago play reviews, theater critic
Chicago Critic theatre reviews Talk Theatre in Chicago Podcast

Go see a play this week!

listenListen to the Talktheatreinchicago.com podcast now

Broadway Tickets on sale for Tarzan, Julia Roberts Three Days of Rain, Elton John inspired Lestat as well as other events in Chicago.

 

Not To Be Missed:

Clash by Night

Urinetown

Dealer’s Choice

Romance

Loose Knit

A Flea in Her Ear

The Sweetest Swing in Baseball

The Glass Menagerie

Voyeurs de Venus

 A Life in the Theatre

Two For the Show

Angels In America

Hizzoner

The Night Heron

Johnny Tremain

Menopause The Musical

Crimes of the Heart

By Beth Henley

Directed by Frank Merle

Produced by Keyhole Theatre Company

At Josephinum High School

1500 N. Bell

Chicago, IL

Call773-805-5055, tickets $20

Fridays & Saturdays at 8 PM

Sundays at 7 PM

(no performance on March 4)

Running time is 1 hr, 40 min with no intermission

Through April 9, 2006

Crimes of the Heart comes close to delivering

The 1981 Pulitzer Prize winning Crimes of the Heart, written by Beth Henley, started a trend in theatre---the dysfunctional Southern family kitchen drama . Written as a dark comedy, Crime of the Heart comes across a much more of a quirky family melodrama than a funny piece. Hardly a laugh was heard at the opening night audience. I believe director Frank Merle went for the poignant moments more than the dark comedy. He almost succeeded. This worked for me but it’s too bad that Henley’s razor sharp dialogue was devoid of the humor.

Crimes of the heart

 I believe that the funny moments were missed  because of two factors: one, the shows uneven slow pacing and two, the actors speaking much too fast having them gloss over the punch lines. Comedy is all about timing and emphasis so when you race over a line the humor flattens. Also, while the Southern American accents were mostly true, people in Mississippi speak quite slowly; this cast spoke the dialect much too quickly, especially Erin Killean ( Babe) and Wendy Hart (Meg). We don’t have time to digest the folksy idioms.

Having said that, I still basically liked the production as the cast offered authentic portrayals of the wacky Magrath sisters. We meet the sisters from Hazlehurst, Mississippi as they struggle with their own foibles during yet another crisis that seems to haunt this dysfunctional family. Lenny (Lisa Butterfield in a funny turn) is stuck at home caring for an invalid grandfather. She is 30 years old today and loved starved. Meg, a failed country singer returns for LA after receiving a note about another family crisis that has Meg (Erin Killean) shooting her abusive husband. Add Chick (Teresa Piwowar), the judgmental relative, a limping Doc (Tom Reedy) and Meg’s lawyer Barnette (Chuck Riffenburg) and the family secrets, scandals and motivations play out in a clever written piece that garners wacky situations from the distinct character types. Unfortunately, the pace and rapid fire speech allowed many of the funny moments to disappear.
Cromes of the Heart

The production’s best moments happen when the key elements allow the three sisters, Lenny, Meg and Babe to rekindle their bond. They land the heartwarming moments sincerely. Lisa Butterfiels’s Lenny and Teresa Piwowar’s Chick possessed the biting sting that all the characters need. Erin Killean plays the damaged Babe much too stiff and wooden not allowing enough empathy for us to care about her.

 Crime of the Heart, as presented, delivers enough to warrant seeing it. If the key plays would slow down their speech and hit the humor triggers and if the show’s pace would be tightened, this production would deliver Henley’s script nicely.

Somewhat Recommended

Tom Williams

Tom99@chicagocritic.com for comments

Talk Theatre in Chicago Podcast

Date Reviewed February 25, 2006

 

 

[Home] [Chicago Reviews] [Defending The Caveman] [Tommy Guns Garage] [Menopause The Musical] [Wicked] [Bark!] [Macbeth] [Johnny Tremain] [The Way of the Wiseguy] [Nina Simone] [Thoroughly Modern Millie] [Crimes of the Heart] [Still Life] [Accelerando] [Hizzoner] [Angels In America Part I] [The Fourth Sister] [autobahn] [White Hot Black Comedy] [Killers] [Two For The Show] [A Life in the Theatre] [Feathers In The Wind] [The Pirates of Penzance] [Voyeurs de Venus] [The Glass Menagerie] [The Sweetest Swing in Baseball] [The Clearing] [Barenaked Lads] [A Flea in Her Ear] [Loose Knit] [Romance] [Fighting Words] [Dealer's Choice] [Urinetown The Musical] [The House of Bernarda Alba] [The Chalk Garden] [The Chosen] [Clash by Night] [Stick Fly] [A Whistle in the Dark] [She Stoops to Conquer] [Homecomings] [Ellen Under Glass] [London Reviews] [Book Reviews] [Theatre Companies] [Feature Articles] [Contact Us] [Theatre Links] [About Us] [Advertise with Us]

Site owned by Tom Williams  1-773-293-3298, tom99@chicagocritic.com Copyright, Chicago, IL 2006