Theatre seats play tickets

Theater tickets

Odd  Couple tickets

Wicked tickets

Partner/Investor need for this site. $8500 needed email for Info

Chicago play reviews, theater critic
Chicago Critic theatre reviews Talk Theatre in Chicago Podcast

Go see a play this week!

listenListen to the Talktheatreinchicago.com podcast now

Broadway Tickets on sale for Tarzan, Julia Roberts Three Days of Rain, Elton John inspired Lestat as well as other events in Chicago.

 

Not To Be Missed:

Clash by Night

Urinetown

Dealer’s Choice

Romance

Loose Knit

A Flea in Her Ear

The Sweetest Swing in Baseball

The Glass Menagerie

Voyeurs de Venus

 A Life in the Theatre

Two For the Show

Angels In America

Hizzoner

The Night Heron

Johnny Tremain

Menopause The Musical

The Skin of Our Teeth

By Thornton Wilder

Directed by Brandon Bruce

Produced by Back Stage Theatre Company

At Chopin Theatre

1543 W. Division

Chicago, IL

Call 312-683-5347, tickets $15

Thursdays thru Saturdays at 8 PM

Sundays at 3 PM

Running time 2 hrs, 45 min with w intermissions

Through April 2, 2006

The Skin of Our Teeth wobbles and self destructs

The ambitious Back Stage Theatre Company tried real hard to land the complex, over-written epic from Thornton Wilder. This play is so weird and so terrible that it defies a worthy production. Many a theatre company has tried in vain to make something out of this extreme satirical farce that is so convoluted that trying to make sense of this play is almost impossible.

The Skin of our teeth

Back Stage Theatre’s production will either dazzle you or be one of the worst theatre experiences imaginable. The sheer energy and style will impress you but the inability of us to connect with the key characters leaves this overly long play as a noisy loud waste of time. I couldn’t wait for this play to end.

The material isn’t Wilder’s best and the squeaky voiced Rebekah Ward-Hays as Sabina, the key narrator, spoke so fast that her pitch became so high that I simply became irritated rather than empathize with her and the Antrobus family. The mainly over-the-top performances were corny producing hardly any laughs.

With three acts so different in style tone and pace, this show collapses with its own weight. The best part of the show was the trio of singers who landed a nice medley of 20’ & 30’s show tunes. I’d much rather stayed in the lobby listening to the Broadway songs.

 The message of the satire and the farce becomes muddled by the flat jokes, bits and business that fizzled due to the over playing by the ensemble. Act three became a boring melodrama.

I do appreciate the efforts of the cast but the material was beyond them. I’m not sure anyone could deliver a satisfying production of this play. As presented, this production was more corny, hackneyed and gross than stylish biting satire. Maybe a shorter version with a clearer focus and style would make this tedious work more enjoyable? I believe this show belongs in the archives.

Not Recommended

Tom Williams

Tom99@chicagocritic.com for comments

Talk Theatre in Chicago podcast

Date Reviewed March 10, 2006

Jeff Recommended

 

 

[Home] [Chicago Reviews] [Defending The Caveman] [Tommy Guns Garage] [Menopause The Musical] [Wicked] [Bark!] [Macbeth] [Johnny Tremain] [The Way of the Wiseguy] [The Night Heron] [Nina Simone] [Thoroughly Modern Millie] [Crimes of the Heart] [Still Life] [Accelerando] [Hizzoner] [Angels In America Part I] [Of Mice and Men] [The Fourth Sister] [autobahn] [The Skin of Our Teeth] [White Hot Black Comedy] [Killers] [Two For The Show] [A Life in the Theatre] [Feathers In The Wind] [The Pirates of Penzance] [Voyeurs de Venus] [The Glass Menagerie] [The Sweetest Swing in Baseball] [The Clearing] [Barenaked Lads] [A Flea in Her Ear] [Loose Knit] [Romance] [Fighting Words] [Dealer's Choice] [Urinetown The Musical] [The House of Bernarda Alba] [The Chalk Garden] [The Chosen] [Clash by Night] [Stick Fly] [London Reviews] [Book Reviews] [Theatre Companies] [Feature Articles] [Contact Us] [Theatre Links] [About Us] [Advertise with Us]

Site owned by Tom Williams  1-773-293-3298, tom99@chicagocritic.com Copyright, Chicago, IL 2006