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REVIEWSTheatre Reviews

Twelfth Night (Shakespeare 400 Chicago)

Filter Theatre’s production of Twelfth Night is billed as a “raucous” hybrid between Shakespeare’s comedy, a rock concert, and an improv sketch show. That kind of humor is best-suited to people, probably mostly young ones, who are familiar with the play, but want to see it used in a highly informal manner. That’s not a bad idea with a comedy, but the Filter production, now at Chicago Shakespeare as part of the Shakespeare 400 Festival, hardly derives any of its humor from Shakespeare’s text, or even his characters and situations. Instead, the six actors and two musicians use the play’s heavy focus on music (the food of love) as an excuse to play with sound for ninety minutes.

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REVIEWSTheatre ReviewsTom Williams

The Game’s Afoot

The wacky events with ample Shakespearean quotes and madcap movements is both a comedy treat and a fine mystery. Ken Ludwig tries hard to blend the two styles and he takes a tad too long to ties up lose ends but we laugh and enjoy the journey especially by such a terrific cast lead by Hasenstab and Robertson. Purest of the mystery or farce genre may be offended by Ludwig’s smart plotting and nimble characterizations carries the day. Why not have a few laughs while being scared? It’s all in good fun.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Study in Scarlet

In 1887, Sir Arthur Conan Doyle introduces to the world his “consulting detective” Sherlock Holmes (Nick Lake) and his new sidekick, Doctor Watson (Brian Pastor). We meet the 20something’s as they first become roommates to save money and seek companionship. Watson is recovering from wounds from the Second British Afghanistan War while Holmes, ever the self-absorbed scientist, relishes on the prospect of having someone to admire his cleverness. We see the two as young gentleman filled with curiosity and determination. In a world premiere adaptation by Paul Edwards, A Study In Scarlet is a most engaging and surprising yarn.

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From Doo Wop to Hip Hop

From Doo Wop to Hip Hop, Black Ensemble Theater’s current confectionery treat, is so sweet it’ll cause a cavity. Executive Director Jackie Taylor and Associate Director Reuben Echoles have collaborated to bring us a remarkable showcase of some of Chicago’s biggest and brightest voices, belting through a panoply of favorites for both young and old alike.

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Music ReviewsMUST SEEPop/Rock/FolkREVIEWSREVIEWS BYTom Williams

Opus 1861 -The Civil War In Symphony

Songs like “When This Cruel War is Over (Weeping Sad and Lonely),” “Shule Agrah (Johnny’s Gone for a Soldier)” and “Follow the Drinking Gourd” were particularly emotionally moving. The Civil War songbook’s rich personal sensitivity toward the angst of war is deeply presented by this group of talented singers. The superb vocals and the honest presentation of the letters home added power to the sacrifice of theses honorable patriots.

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