O’ Neill’s family tragedy that features the Tyrone’s, a family in despair as they seem to be doomed and trapped in their dark past where fears, addictions and habits dominate the present. Long Day’s Journey Into Night is set in 1912 in the Tyrone summer home in New London, Connecticut. This most autobiographical play deals with the nature of family love where each person loves more than hates the other family members
Letts’ Superior Donuts demonstrates Letts’ keen ability to write dialogue capturing the unique voice of each of his rich characters. After 25 years living in Chicago, Tracy Letts claims he is a true Chicagoan. Superior Donuts is his ode to the melting pot ethnic neighborhood of Chicago’s Uptown….
Issues about self determined euthanasia for one suffering great pain with cancer as well as a spouse willfully deciding that she can’t live without her dying spouse therefore willing to die with him is presented. Does anyone have the moral right to end one’s life to relieve pain? And can a rational spouse morally decide to join her terminal spouse despite her being in good health.
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Bulrusher is a coming-of-age story about a pure innocent as she struggles to find both her personal identity, her racial identity, and her sexual identity. Finding out who and what you are is a daunting journey but Bulrusher’s strength and her rare powers serves her well. Once she comes to terms and meets her mother, she emerges as s woman ready to face the changing world of the 1950’s
Red Theater’s initial production was mature, funny and quite respectful to Bertolt Brecht’s comedy. The show is fun and reminiscent of other productions of Brecht’s work such as Mother Courage and her Children. That’s good company. Lovers of Brecht’s work will enjoy this show.
Tom Mullen has moved Irvine Welsh’s Transpotting to Kansas city from Edinburgh, Scotland. That didn’t help much since the group of hopeless are so lacking in empathy that their adventures become a tedious series of vignettes.
Funeral Wedding (The Alvin Play) is a Victorian Gothic style dark comedy set in pre-World War I America about an oddly dysfunctional family
But it is Rob Riley’s impeccable portrayal of the eccentric scientist that carries the 100 minute bio-drama. Riley swiftly moves from one interrupted story to another effortlessly yet still maintaining a cohesive narrative. We see both the scientist – the inquisitive problem solver, and the human, loveable and humorous side of Richard Feynman