The story focuses on the perspective of two Chicagoland families, a black family living in Cabrini Green and a white suburban family living in Lake Forest. The daughter, Sam (Stephanie Stroud,) from Lake Forest is now living in Chicago’s wealthiest neighborhood, Gold Coast, and working for the Chicago Tribune (a job her politician father got her.) Sam is a bleeding-heart liberal filled with white guilt and determined to make a difference with her stories.
Read MoreWe meet two sets of lovers: Claudio (Aaron Kirby in a charming turn) and the beautiful Hero (Jessica Record) and the commanding Beatrice (Meg Elliott) and her picture-taking lover Benedick (the emotionally wrenching Ned Record). Claudio/Hero are aggressively in love while Beatrice and Benedick are engaged in a “love/hate merry war” that finds each scorning love, marriage and each other.
Read MoreAfter one of his boxing lessons, Billy is left alone in the gymnasium, in which a ballet class shortly follows. It is here where we learn that Billy’s secret dream is to be a dancer. Nurtured by the tough but caring ballet instructor Mrs. Wilkinson, Billy realizes his true potential, when he is primed for an audition at the Royal Ballet. Upon discovering this, Billy’s father is enraged that his son would take to such an effeminate hobby, and pulls Billy from any further lessons.
Read MoreEmmy, played with delicious verve by Zoe Levin, is a sex pistol. Wise – or seemingly wise beyond her years – hers is the voice of experience, determined to lead her friend astray. Rae Gray presents a Claire that is perfect as the shy, insecure, young friend, only too willing to follow. Both girls exemplify youth, beauty, inexperience, and a touching bravado.
Read MoreSeeing a seldom mounted two part early work from famed Irish playwright Brian Friel is a fine way to start off the fall theatre season in Chicago. Director Terry McCabe has cast well for this two part work….Lovers is a fine early Friel work that aptly depicts Northern Ireland in the 1960’s where family and religion dominated society. We love these characters.
Read MoreWe get a glimpse into the lonely characters’ lives whose need to be heard and connect with one another is fueled by the drink. When Finbar brings Valerie to the pub, she becomes the center of attention. At Finbar’s instigation, Jack starts telling a ghost story from 1911. This is the first of several wonderfully scary Irish ghost stories deftly told first by the engagingly skillful talents from Brad Armacost–who is Chicago leading Irish actor.
Read MorePerformed by the Babes with Blades, an all female “combat” theatre group, The Last Daughter of Oedipus is served well by this “no nonsense” cast of women. (They are two men in this show, but relatively inconsequential) “The Babes” handle swords, and kick-ass with the best of them. The acting isn’t bad either…a great ensemble for this script.
Read MoreThis play has much to say. These over educated, egotistical teens have too much time (and money) on their hands. The play centers on an actual weekend event when this group of pure Romantics challenged each other to a game of who could write the scariest horror or ghost story. It is on this weekend that Mary Shelley conceived her Frankenstein novel.
Read MoreCrosby, Still and Nash at Ravinia August 22, 2010 Review by Peter Oyloe Late Summer evenings are some of those
Read MoreFrost/Nixon, the play, nicely packages the historical events of the Nixon Presidency with a glimpse into the world of TV journalist. We see one ambitious man trying to use a failed world leader and a frustrated ex-President striving to be understood and vindicated. they each need the other. The dynamics of Frost’s interviews, that included a mostly ‘no-holds barred’ agreement, were unprecedented at the time.
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