Nothing But The Blues

Joe Plummer’s light motif to fuel 18 haunting blues tunes revolves around the story of Theresa’s Lounge that existed in Chicago’s South Side from 1954 to 1983. Theresa’s Lounge was a small basement blues club that showcases legends like Junior Wells and Buddy Guy

Fucking Men

The short scenes are totally gay oriented that features nudity and explicit sexual encounters. Humor, poignant, sometime dramatic and provocative scenes depict the adventures of horny gay men. Gay men seem to love this show that sure makes gays look like sexually aggressives.

Equus – 2010

Redtwist Theatre’s re-conceived and re-staged production of their 2007 hit production of Equus, features a three quarter thrust stage, new background music and many new players. The result is a different experience as this Equus is dominated by the wonderful fully truthful work by Brian Parry who gives Dr. Martin Dysart a most hauntingly compelling turn

Steel Magnolias

Steel Magnolias, by Robert Harling, is a remarkable play in many ways – particularly because it has such a tender women’s point of view despite being written by a man. Steel Magnolias is part comedy of manners, part heartfelt tearjerker, featuring non-stop witty banter. Basically, a friendship comic drama, Steel Magnolias tugs at the heart while making us laugh.

Cherrywood

Mary-Arrchie Theatre and David Cromer and an experimental play are an explosive mixture destined to evoke strong reactions. With a cast of 49 (yes, 49!), set designer Andre LaSalle had to dismantle the basic layout of Angel Island turning it into a shabby apartment rectangle setting with audience on all four sides.

Lookingglass Alice – 2010

After hundreds of performances and several remounts, David Catlin’s Lookingglass Alice still thrills audiences with its whimsy, humor, and heart. Trimmed to a tight 90 minutes without an intermission, Lauren Hirte continues her amazing performance as Alice. The show remains as fresh and vibrant as the 2005 original.

Sweet and Hot – The Songs of Harold Arlen

Theo Ubique, under Fred Anzevino’s leadership, returns to their cabaret roots by paying homage to composer/songwriter Harold Arlen. This revue contains many of the finest songs from the 30’s- 40’s and 50’s including “Over the Rainbow,” “Stormy Weather,” “Get Happy,” “It’s Only a Paper Moon” and “I’ve Got the World on a String” among the 37 songs with music by Arlen in collaboration with many of the finest lyricists of the era.

The Tallest Man

This engagingly funny and poignant work is a refreshing traditional Irish comedy. It is a tightly written and polished work by Jim Lynch that reflects the sharp eye of director John Mossman and the efforts of the creative folks at The Artistic Home who have invested two years assisting Lynch in the play’s development. The result is a most entertaining and sophisticated work about the raw rural poor inhabitants of the West of Ireland

Ghosts

This 95 minute production (no intermission) directed by P.Marston Sullivan, condenses the play down to a time that is easily sustainable for most audiences with a cast of six actors. BoHo is known for its quality sets in making the space appear much larger than it really is and Anders Jacobson and Judy Radovsky have done a tremendous job in making a 25 foot by 16 foot area drawing room of a large estate seem real

Sex Marks the Spot

Entertainment attorney Charles Grippo’s new farce is a dud. The matinee I attended found no one laughing – a bad sign for a farce. Despite the cast working frantically to garner any humor in Grippo’s script, there wasn’t much there to harvest