The cast has the cheerleaders smartly doing cheers as well as being typical teenage girls. We see the parents are determined to believe that the problem can not be either an emotional or psychological one due to the stigma of a ‘mental problem’ would have on the girl’s future. Kathy Bowan (Tara Mellon) believes that toxic waste and pollution are the root causes.
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A series of monologues broken into 5 chapters, 14 writers and 20 stories later the
diverse actors play many different characters and explore topics from the labor of childbirth,
adoption, gay parenting, first dates, graduations, military mom, and aging parents.
At the warden’s office, we meet Jim Allison (Brandon Greenhouse) the trustee with ten years in the prison who has educated himself with “big words.” When Eva Crane comes aboard as the warden’s secretary, sparks start flying between Jim and Eva. Boss Whalen (Jim Spencer) is a pure evil soul who delights in torturing the cons in between drinking and womanising. He has his eyes on Eva but before that can happen the cons start a hunger strike.
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Glass, however, ultimately offers us a sympathetic perspective on Disney—and one not difficult to accept. Disney struggles with accepting his own death and preserving his legacy—a legacy we see (and to this day experience) grow larger than the man who inspired it. While he envisions his name growing as renown as Jesus and Muhammad, Disney laments how “Disney,” as the name of his brand, has usurped his individual identity. His remedy for death and obscurity is to be cryogenically frozen, so that he may yet survive and come back as a figure of hope to proclaim that even death is not an end to the dream.
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3C attempted to be a perky funny mock of Three’s Company with two weirdly dysfunctional girls living in Santa Monica that need a third roommate to pay expenses so they take a guy as their third. In order to appease their landlord, they have him play as a gay man. But Nick Mikula, as Brad, never convinces anyone that he could possibly be gay. His friend Terry (Steve Haddard) continues to invite him to discos to meet easy girls.
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The dynamic of Will casting his Romeo by Thomas Kent (Kate McGonigle disguised as a man) and eventually falling for Kent once hs discovers that Kent is really Viola de Lesseps, a star-struck want-to-be actor. Problem: Will is married and Viola is committed to marry the irrepressible Lord Wessex (Dennis Grimes). This doomed romance fuels the play with clever plot twists that are hilarious. We also hear some famous lines and scenes for Romeo & Juliet including sword fighting scenes and the famous dying scenes.
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Told with a manic staging and tuneful fun dance numbers including the extravaganza show-stopper number “Friends Like Me,” we are impressed, invigorated and entertained. This show is pure glitz with modern pop cultural comic references presented by a cute genie, a charismatic Aladdin and a host of determined supporting players. This is a fluff piece designed to appeal to fans of the animated film yet also designed more for lovers of Broadway musicals. At 2 hours, 30 minutes, Aladdin may not be for all children?
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. Marry Me A Little has been updated with the help and blessing of Sondheim to include songs cut from the final versions of Follies, A Little Night Music and Company among others. Based on a concept from Craig Lucas and Norman Rene, the original idea was filled with songs from early Sondheim projects such as Saturday Night, The Girls of Summer, Evening Primrose and Road Show.
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Circle Mirror Transformation is a quiet and subtle study of broken lives—not unlike a condensed time-lapse of the imperceptible migration of landmasses across the oceans. It is not the raucous dramas of the 20th century with defined and high-stakes conflicts. The stakes and conflicts here are personal and hidden, like an iceberg below an ocean surface (if I may stretch the geographical analogy just once more).
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As the political, social and economic discussion, fueled by a bottle of Jameson, ignites the sibling rivalry that has long existed in the family heads in a strange direction. Ann remembers playing Peter Pan in Davenport, Iowa in 1958 then meeting Mary Martin. As the children talk about their youth, the question becomes: “When do you really become a grown-up? is there a moment that defines maturity? Or will you, like Peter Pan, “never wear a tie?
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