silkroadrising
Khemiri uses wordplay about the term Abulkasem. It means a beloved quirky Lebanese uncle to a term used as an adverb, noun, verb that has multiple meanings including a term for an Arab terrorist. The clever wordplay here demonstrates how the semantics of Middle Eastern -Muslim types can lead to us Westerners , particularly Americans to fear them.
Read MoreSo sure. Kokandy’s Last Five Years is a tad underdeveloped and doesn’t always take dramatic advantage of the openness of its material. But at the same time, it also doesn’t obfuscate or overcomplicate the show’s purposely lean emotional through line. Powerful and resonant when it matters most, more than anything, this production is a solid testament to the enduring power of Brown’s revelatory score.
Read Moren less capable hands than the astute director, Alison C. Vesely, this play would not be believable. Instead, Vesely has selected the perfect cast, and each talently nails their character’s moments of reckoning. You could almost hear the sighs in the audience, and certainly many laughs.
Read MoreOnly Aaron knows what Katie really wants. As the story unfolds, we see how Aaron reacts and comments on all the family dynamics with complete and ofter perceptive candor. During the fast-paced direction by Scott Weinstein, we witness the awakening of each family member as ultimately the underlying love carries the family through their struggles.
Read MoreIt begs questions that no family wants , but needs to address: how do you stop a violent mind? What should you do when all the warning signs are there that your emotionally troubled and apparently sociopath son may express his internal rage outwardly on society. Can anyone stop him before it is too late? Is his play fiction or does it foretell his plan?
Read MoreChicago Shakespeare Theater’s current production, being performed for free throughout the city’s neighborhood parks as part of this summer’s Chicago Shakespeare in the Parks, thankfully fulfills our expectations. This rapid-fire 75-minute adaptation by Jeff Award-winning director David H. Bell eschews too ponderous a conceptual approach in favor of a boisterous and slapstick romp, replete with wild acrobatics, juggling and light-hearted sight gags.
Read MoreBedroom Farce is filled with exaggerated and improbable situations, crazy plots and much hilarious physical comedy. Ayckbourn has created an empathetic group of characters who are manically played by an inspired cast Wordplay, clever physical movements, absurdity, and extremely over-played characterizations mark this entertaining farce.
Read MoreOver the 90 minute one act played out in one week , the unique bond formed by a precocious teen and her middle aged uncle reaches into their souls as each face their realities allowing them to get on with their lives. William Petersen nicely lets Rae Gray command the stage as he patiently waits for her to get her daemons out before reacting.
Read MoreGiving voice to their struggles is Genesis Ensemble, whose bluegrass/rockabilly Uptown Opera—now playing at the Preston Bradley Auditorium (fittingly, in Uptown)—admirably sets itself to the task of weaving together these somewhat forgotten threads of Chicago’s intricate social tapestry. Still, Uptown Opera’s big heart may not be enough to recommend itself, plagued as it is by a weak book and sadly underwhelming performances.
Read MoreEven as far back as Euripides, the figure of Medea was portrayed as something of a mojada—a derogatory term for ‘wetback.’ Beginning in the late fifth century, for instance, shortly after Euripides’s own stage version of the myth, artists began to accentuate Medea’s role as a foreigner living within Greek society, dressing her in exotic oriental garb rather than the clothing of a traditional Greek woman. The perpetual ‘stranger in a strange land,’ the myth of Medea—scorned and infanticidal—has ever since lent itself to probing considerations of cultural assimilation, gender inequity, and the darker aspects of romantic love.
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