Chicago Critic Must See recommendations.
Schmuckler marvelously weaves his hauntingly melodic music upon his smart, witty and often poignant lyrics that presents each character’s emotional quirks. The voices were splendid and the multi-part harmonies were soaring. The arrangements by Doug Peck deftly played by Austin Cook and his seven member chamber orchestra created as marvelous sound that underscored and enhanced the romantic atmosphere of the piece.
Told with inquire movement, interspersing lighting and Oriental motifs with terrific puppets and elaborate choreography with Asian infused original music (by Andre Pluess) featuring a chamber orchestra with a cello, strings/percussion and flute, The White Snake creates the charming and quaint atmosphere of ancient China ripe for mythical storytelling
After doing exhaustive research about gilded age social activist Emma Goldman (1869-1940), Roslyn Alexander, the “Grand Dame of Chicago Theatre” returns to the stage to perform a one person show based on her study. Alexander deftly presents The Passion of Emma Goldman in a 90 minute engaging performance wherein she brings Goldman’s life to us.
We understand how Jack broke barriers in Hollywood by defying being pigeonholed as either a comic or a serious actor. Due to the tight script and the use of music, Jack Lemmon Returns emerges as a captivating journey into the life of a film star from the point of view of his son.
Jacob is so fearful that once he learns that Eli, despite a restraining order, attempted to visit the father in the hospital, he realizes the Eli will attack him at his home. It is only when not if. That news got Jacob to leave his son Josh’s (Johnny Rabe) bar mitzvah before the ceremony was finished.
Lost In Yonkers, perhaps the finest family play ever, uses humor and richly developed characters to demonstrate the power of family especially as it becomes a survival place for all to learn to become tough enough to survive. Coming of age as an independent person covers more than just the boys. This heartfelt, humorous, nostalgic drama captures us from the start and keeps us engaged throughout
The retreating exhausted English army is in disarray but the arrogant French and fail to take advantage. Henry, fearful for his army, goes into disguise to assess the morale of his troops. He is uplifted by what he finds and his rousing speech before the Battle of Agincourt (a gem delivered by the fabulous turn from Harry Judge) rallies his troops to victory
This refreshingly engrossing and compelling musical contains all the humor, pain and tragedy of the 1922 O’Casey masterpiece, Juno and the Paycock while effectively presenting the music and lyrics of Blitzstein and Stein with a first class cast of actor/singers who add layers of heart and humanity to the story’s emotional range
Jackson Evans , as Princeton and Leah Morrow, as Kate Monster were among my favorites from a cast of accomplished troupe of talents that sang well, delivered laughs and won the hearts of the audience. Adam Fane, as the flaming queen Rob was a hoot!
This flawless production does everything right. From the opening scene that finds the nuns changing in Latin to Maria (Jenn Gambatese) soaring as she sings the title song on a set that screams Alps, we instantly become enchanted into the world of Salzburg, Austria in 1938.