Chicago Critic Must See recommendations.
In The Drawer Boy, we meet two friends living and working a farm in 1972 rural Ontario. Angus (Will Kinnear) and his friend Morgan (Nick Polus) who run their farm through a harmonious daily ritual based on Morgan being the farmer and Angus being the cook, housekeeper and account. Tolerance, trust and routine rule their lives. They seem content until a young man-an actor- arrives at the farm asking to learn about farming by living and working with Morgan and Angus.
The early scenes that depict the determination and strength of each women are marvelously played out as each establishes their own rules for the relationship. Pearl will only sing unheard slave and work songs if Susannah works to find Pearl’s daughter. The two eventually unite to allow each to become “successful” on each’s terms.
Prolific playwright Brett Neveu, a company member of A Red Orchid, presents his sixth world premiere at the intimate Old Town Chicago theatre. Megacosm is an amazingly eerie and totally engrossing cliff-hanger 85 minute one-act comic mystery…Chris (Larry Grimm) is a nerdy shaggy-haired inventor anxious to make a presentation to Britt (Danny McCarthy) the head of a multinational corporation. The atmosphere around the company’s headquarters is ripe with violent protestors.
This unorthodox, vibrant satire on sports, business, race, politics and power in the U.S. is narrated by Puerto Rican wrestler Mace, aka Macedonio Guerra (Brandon Morris), who has loved wrestling, and played with his brothers and toy action figures since childhood.
Mr. Rickey Calls A Meeting is a fine historical fictional drama based on real characters put into a “what if” scenario. The show is humorous, thought provoking and truthful as it attempts to ask underlying questions as to the ramifications of a single ensuing historical event. The performances are strong and winning. The play highlights the multilevel consequences of Jackie Robinson and Branch Rickey’s bold move
Blizzard ’67 is much more that a snow storm comedy, more that a quirky satire of ’60’s corporate types. It is a honest look at how four men deal with unforeseen chaotic events. Their personalities, warts and all, dictate their actions. Besides being a engaging theatre piece, Blizzard ’67 is a poignant study into the nature of human reactions – guilt and self-preservation dominant. This is Steinhagen’s finest work to date. Don’t miss this quirky gem. It is worth battling a snow storm to see.
These are the ten top plays of 2011 in Chicago that reflect excellent stage craft and flawless production values according to us at Chicagocritic.com.
Written by Neil Simon Directed by W. F.Wilson Prisoner captures audience There is nothing like a Neil Simon play for rounding out the old year and ringing in the new. This is dark comedy rendered with a light hand. Clever banter undercuts family angst as fast-paced repartee unfolds the story of a married couple struggling … Read more
It is wonderful that the management at Light Opera Works keeps producing authentic productions of classic operettas and Broadway musicals using the full orchestrations from the originals with a full 28 piece orchestra. The lush score filled with haunting operetta style ballads and English folk melodies, The Secret Garden is a beautiful heart-warming musical filled with charm and wholesomeness.
Led by the steady work from Gene Weygandt as Shepherd and by golden-voiced youngster Clarke Hallum as Ralphie, A Christmas Story The Musical is a most winning full-blown Broadway musical true to its source material and marvelously acted, sung, and danced by a 30 person cast consisting of a mixture of Chicago Equity talents and a polished troupe of kid talents. Adam Petly, George Andrew Wolff and Karen Mason are a few of the Chicago players featured in this family friendly new show.