Must See

We meet Therese Marie in the ICU suffering from amnesia, chronic pain as see doesn’t know her name; the morphine drip is her salvation. Dotted over her are a flamboyant nurse, a charismatic orderly and a colorless doctor. All give this “little flower” effective care and needed attention.

But sparks fly when the author, hard drinking and druggy son, Danny (the fabulous John Henry Roberts in a role played on Broadway by Michael Shannon) visits his mother in the hospital. The attempts of reconciliation and redemption dredge up family past problems from both mother’s and son’s life. We experience the vulnerable of Theresa Marie, we learn about her bringing up and all the trauma she has endured. We also see the source of her battles with Danny and the attempts by sister Justina (Jess Maynard) to move mother into a nursing home believing that Danny is incapable of giving Theresa Marie the care she needs.

LEAVINGS explores how a history of trauma impacts generations of African-American families. We meet Mama Bea (RjW Mays), the 111 year old matriarch of a Chicago family while in her final days becomes obsessed with uniting with the white Governor Skinner of Mississippi (Richard Engling) in order to set to rest the spirits that have haunted her family over 180 years. She has evidence that she and the governor are both descended from a nineteenth century slave owner who left the White half of the family with a heritage of privilege and economic security while the Black half with a history of familial separation, segregation and violence. Mama Bae knows that only by uniting the White and Black sides in a ritual of reconciliation can the tortured spirits that haunt the family be put to rest.

Hamilton lives up to the hype as it is engaging, high-energy and an emotionally thrilling theatrical experience. It is an opera, a rap show, and an accurate history lesson that presents as dazzling entertainment. In this breakthroughs work, Lin-Manuel Miranda has moved the Broadway musical (opera) into new areas. It is terrific storytelling that bravely takes pop culture into the world of opera and Broadway musicals. The good news is that he has brought a new audience to musicals as young folks love this show.

It is the story of the first African-American actor to play Othello for two performances at the Theatre Royal in Covent Garden in London in 1833. When the famous Shakespearean actor Edmund Kean becomes ill, company manager Pierre LaPotre (Mtthew Klinger) brings on his friend and well qualified veteran actor Ira Aldridge 1807- 1867 (Brandon Greenhouse) to play Othello. This was a daring choice by LaPorte since a black man had never before played Othello on a major London theatre. 1833 was a riotous time in London with the abolition of slavery in England and various social and political reforms being enacted. Change at all levels was being challenged.

Kate Henning’s drama focuses on the character of King Henry as Steve Pickering plays him as a tough, commanding despot who appreciates a strong woman if they are sexy and ultimately loyal. This Henry is, indeed, king who is willing to use his power however he desires. His love for Kate allows her to be more that a nurse-mate to his three children. Rather he elevates her to political power due to her loyalty and competence. She emerges as an almost equal in an age when most women spent their time knotting. Kate open the doors (literally) for Mary and Elizabeth to govern.

This manically paced comedy id fueled by grief and dysfunctional family relations yet it is one of the cleverest and witty comedies in years! Alex Weisman give a tour de force performance as Jason/Tyrone, Who knew that Weisman could manipulate his hand puppet with such spot-on timing and change voices instantly between Jason and Tyrone. Add his deft physicality and we have a fabulous comic performance. Weisman can add comic performer (and puppeteer0 to his resume.