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In the Company of Men (0)

But if the consciously gray moral tones of Snyder’s production strike us as being overly conciliatory toward its anti-heroes, we should realize that it offers us something decidedly more interesting than its sharp moral disapproval. By opening us up to the subtle seductions of the rakish mindset, In the Company of Men dislodges us from the place where moral judgements feel simply automatic. Rather, we are afforded the opportunity to see our own objections for what they are: the strident disapproval of a middle-class railing against its self-proclaimed ‘betters.’...

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Maria de Buenos Aires (0)

Austrian conductor Andreas Mitisek's boldly conceived staging of Astor Piazzolla and Horacio Ferrer's tango operita, Maria de Buenos Aires—now playing at the Harris Theater—lands like a phantom fist to the gut. Set to the sultry fluidity of the tango nuevo, this free-form adaptation of the original is a fierce piece of social realism which at once aspires to the dimensions of an expressionist myth....

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Brighton Beach Memoirs (0)

We easily like Simon's characters, flaws in all. In director Cody Estle's production, the underlying tone is lover and ultimate acceptance even after explosive conflicts. This cast is an ensemble triumph. Led by the terrific spot-on talents of teen actor, Charlie Bazzell ,who give Eugene enough spark to light up the neighborhood, Brighton Beach Memoirs also features terrific work from JoAnn Montemurro, Ron Quade and Sam Hubbard. The layers of story becomes much more that a family comedy as Simon weaves honest family conflict into the humorous foibles of as teenage boy. Get to see this Brighton Beach Memoirs to rediscover the genius of Neil Simon. You'll see that he was much more than simply a funny playwright....

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A Streetcar Named Desire – The Opera (0)

The libretto doesn't shy away from the sexual power of the original script as it contains references to Blanche's gay husband and as it presents the provocative kissing the newspaper collector "on the mouth"scene. This free-flowing three hour plus production has the haunting tone and a fluid use of trumpet and solo clarinet to amplify the atmosphere and psychology of a scene. Previn demonstrates his perception of the cloudy views of reality as seen by Williams' characters. A Streetcar Named Desire pack a wallop and must take its place as one fine contemporary operas. Renee Fleming makes Blanche her own....

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