Google+ Chicago Critic

Latest Chicago Plays, Theatre Reviews, stage shows, Opera, Theater Tickets, music critiques, theatre articles, art beat

$bm_categories = get_categories('hide_empty=0'); ?>

Hot Georgia Sunday (Comments Off)

It is difficult to tell a memory story from monologues from the six characters but with playwright Catherine Trieschman’s down-home dialogue, she succeeds. We meet a group of white trash small town folks who are both sexually charged and stupid as a bag of rocks. Th laughs emerge from the wacky monologues as each participant recalls the events from a scorching hot summer Sunday in rural Georgia

Full Story»

»

The Winter’s Tale (Comments Off)

However, all of this is lost in the final two acts, light-hearted and full of slap stick. It’s challenging for actors and audience alike to transition from the first portion of this play to the conclusion. The final two acts attempt to find a way to unconvincingly wrap up the tragedy of the first three acts in a tidy bow. However, the cast has the utmost fun attempting to do so. From the beginning of act four, the cast reminds its audience aggressively that “Now is the time to laugh!” Such coddling proved difficult for me. Still, several performances shine through, but the cast could not rise above the uneven source material that is Shakespeare’s Winter Tale.

»

The Nutcracker at the House Theatre of chicago (Comments Off)

For those looking for a honest to goodness pick-me-up, a piece of entertainment that has a heart and spectacle, I invite you to see The House Theatre of Chicago’s The Nutcracker. The play begins full of holiday cheer as family and friends gather for an annual Christmas party. This year’s party is particularly special, because the eldest son of the family, Fritz (Shaun Baer), is returning home from service in the Marines.

»

Capriccio (Comments Off)

…Capriccio was referred to by Strauss as “conversation piece” rather than a serious drama, is an opera within an opera and an appreciation of the wonders of music over words (lyrics) that fuels opera.

»

Iphigenia in Aulis (Comments Off)

Iphigenia in Aulis is the first of three ancient Greek tragedies Court Theatre will perform over the next three years. The others, written by the other two surviving tragedians, will together form a trilogy telling the story of the House of Atreus. It’s an ambitious project that will mainly be of interest to academics and die-hard theatre fans, but it’s off to a strong start.

»

Holmes and Watson (Comments Off)

City Lit Theater, the jewel of Edgewater, specializes “in literature theatre including stage adaptations of literary material.” They return to that mission with a wonderful remount adaptation (by director Terry McCabe) of two of Sir Arthur Conan Doyle’s short stories: “A Scandal in Bohemia” (the first of a series of 56 short stories) and “The Final Problem” (the intended last of the Holmes short stories—ten years later, Doyle resumed doing more Holmes stories).

»

Camelot at Drury Lane Oakbrook (Comments Off)

lan Souza’s Chicago directing debut is a reinterpreted of the 1960 Camelot that starred Julie Andrews and Richard Burton.

Based on the old English mythology from T. H. White’s “The Once and Future King,” Camelot’s story revolves around the idealistic, fair-minded English king who establishes rule of law over the ‘might equals right’ mentality.

Mobilesitesasap
Dueling critics

Free Consultation

} ?>