Tom Williams It is most refreshing to see a new classical styled Broadway musical with a clever and funny book; smart lyrics on a varied melodic score that begs an orchestra. In a era that lacks musicals with hum-able music and understandable lyrics, LaBebnik and Day offer a refreshingly tuneful and often funny original musical.
Laney writes imaginative short stories filled with gore and horror that Elise tries to soften through literary criticism. Elise has her own problems as she is unemployed and lonely since she divorced her mentally ill husband now in a psychiatric hospital. The two find little comfort in each other.
Audio theatre interviews by Tom Williams on www.theatreinchicago.com/talk
We learn the earth’s population at key times as well as markings of key scientific breakthroughs such as the invention of agriculture, fire and/nor crude implements that allowed man to manipulate his environment. As time goes backward, we see how insignificant man real is in the scope of hundreds of million years the earth and ultimately the universe have existed.
We see how such news and the guys inability to help Pearson gets them focused less on themselves and more on common goals. Loyalty and true friendship leads to Bruce Pearson having his last days spent in total acceptance and some glory from his teammates. Devoids of sentimentality, Bang The Drum Slowly, plays out as an uplifting story of how friendship and loyalty can make life worth living and acceptance of one’s fate can liberate the soul. This is a heartwarming story that covers much more than baseball – it’s about how awkwardly we deal with death and how the basic goodness of an individual can inspire at team.
The razor-thin book only gave sketches in telling Gaye’s life story. With repetitive scenes depicting Gaye’s drug use, low self-esteem, womanizing and inconstant work ethic, we sure see Marvin Gaye’s personal demons still left him the ability to accomplish outstanding musical success. We see both sides of Marvin Gaye – the smooth artist and the self-destructive flawed human often paralyzed by drugs and a painful past.
I have never heard anyone take nearly so fast and sustained a tempo as Van Zweden does here, and that includes Toscanini’s 1939 recording with the NBC Orchestra. It all seems to work rather well in the opening introduction ,marked Allegro sostenuto: This beautifully simplistic introduction so often feels lifeless and dull, sacrilege to what are some of the most brilliantly serene passages in the entire work.
The characters here are colorful, eccentric and so Irish. From Mammy (Kathleen Ruhl) Johnnypateenmike’s 90 year old drunken mother – to Kate who talks to a stone -to cruel Helen who enjoys breaking eggs over her brother’s head -to Billy who has to endure the savage jokes and nasty name calling–all are struggling to escape the boredom of rural life. Josh Salt’s empathetic Cripple Billy and Brian Parry’s hilarious turn as the town gossip are the featured performances among the fine ensemble work contained here.
The two hour plus history is lively, humorous ,and at times, dramatically impacted. Seldom to you see as finer ensemble performing Shakespeare as found in this worthy production. Nick Lake leads the way and John Arthur Lewis guides us through the intricate goings on as Henry V proves his leadership ability while also capturing a French bride. Promethean Theatre Ensemble’s Henry V is sure worth a look.
Jeff and Hunter are two struggling writers who decide to write about their problem trying to find something to write about. They also add the foibles of their two theatre oriented female friends. The show features the tone of how folks actually talk -hence – the use of several f-bombs. This much too self-aware show uses ‘talk-songs’ – think William Finn as his Falsettos. Those atonal talk-songs are trying to emphasize the mundane with familiar vernacular speech