Author: Tom Williams

MUST SEEREVIEWSTheatre Reviews

United Flight 232

The show does not shy away from the number of people killed, but its recounting of heroism and, in its own words, compassion and grace, works so well because it is so truthful. It’s nice to be reminded that in a crises situation, most of the strangers around you, such as the other audience members, will try to help. United Flight 232 communicates an uplifting message in a manner which resonates because it is told so convincingly, and in such a way that we feel its consequences.

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REVIEWSTheatre Reviews

Christina, the Girl King

For all the play’s questionable framing of philosophic issues, it is a potent character drama. The real Queen Christina made a number of tyrannical decisions not emphasized by the play, but we do see her as a proud, aggressive, and deeply insecure yet entitled young woman. Turner deserves a great deal of credit for how far into Christina’s psyche and physicality she is willing to go.

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MUST SEETheatre Reviews

Rent (Theo Ubique)

Since the mere depiction of gay people and mentioning of HIV-AIDS is no longer significant in itself, Weinstein’s cast goes much deeper in developing their characters, providing Rent with the emotional heft to remain relevant in 2016. Add to it Jeremy Ramey’s always meticulously balanced musical direction of Larson’s famous rock songs, and you have a magnificent production.

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