Footloose –The Musical
Footloose is filled with 80’s pop tunes slickly stages and danced with a cute number, “Dancing’s Not A Crime” that adds humor. This show is so cute and doesn’t take itself seriously that its innocence is infectious
Footloose is filled with 80’s pop tunes slickly stages and danced with a cute number, “Dancing’s Not A Crime” that adds humor. This show is so cute and doesn’t take itself seriously that its innocence is infectious
This most awkward reunion has both confronting their past as Uma shows up unannounced. Guilt, rage and raw emotions build into a dramatic confrontation as their forbidden relationship is explained, defended and excused.
The fairy tales are presented with these opposite views making for a lightly sophisticated poke at fairy tales and gay culture. This fun show has lovable characters…
Disney’s Aladdin unfolds as a sophisticated, slick, well produced and directed Broadway musical that adults appreciate and kids love–pure Disney magic! Songs such as “A Whole New World” and “Friend Like Me” are among some of Disney’s best making Aladdin most memorible.
Featuring terrific stage combat and fine period costumes, “The Scottish Play” work nicely outdoors on a perfect summer night. First Folio Theatre’s outdoor stage at the Peabody Estate in Oakbrook has been the home of many fine productions of The Bard’s plays.
Marc Robin sure has the knack to reach children with his polished and well presented children musicals such as Cinderella, now playing mornings at Marriott Theatre. This charming show is quite funny, heart-warming and thoroughly engaging for children and adults
Colm Feore may not be well-known name in the U.S., even though he now plays Henry Taylor in the successful TV series 24, but he is certainly a renown and celebrated actor in Canada. In his 16th season at the Festival, he takes on two complex, challenging roles and nails them both. While repertory theater features actors in multiple roles, this often means taking a lead role in one play with smaller roles in other productions. Not for Feore. He is the star of two blockbusters.
Tom Williams discusses the following stage plays with Carl Amari: Up at Steppenwolf Theatre and Boleros for the Disenchanted at the Goodman Theatre. [audio: https://chicagocritic.com/newsite/audio/0704Tom.mp3]
Nocturne is a sensual and visceral performance art piece done with craft and good taste that become intoxicating enchanting. If you are daring and want to fulfill a fantasy–you can celebrate with the cast.
Williams’ provocative work is a translation of Japanese Noh drama into performance art. The text is subtitled “An Occidental Noh Play,”