Author: Tom Williams

Music ReviewsMUST SEEPop/Rock/FolkREVIEWSREVIEWS BYTom Williams

Opus 1861 -The Civil War In Symphony

Songs like “When This Cruel War is Over (Weeping Sad and Lonely),” “Shule Agrah (Johnny’s Gone for a Soldier)” and “Follow the Drinking Gourd” were particularly emotionally moving. The Civil War songbook’s rich personal sensitivity toward the angst of war is deeply presented by this group of talented singers. The superb vocals and the honest presentation of the letters home added power to the sacrifice of theses honorable patriots.

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REVIEWSTheatre Reviews

The March

Buoyed on the back of some affecting performances and a haunting lesson, Steppenwolf’s “The March” rises above its flaws for the most part. It’s a multi-faceted look at all strata of life in the late days of a war and the infamous man, his march and the people left in the ruination.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Fish Men

After hearing Jerome pontificating on the plight of American Indians, we also learn that Ninety-Two is a Holocaust survivor. We learn that Rey is much more than a chump “fish” chess player. We hear his story about surviving a genocide of his family and village in Guatemala. Rey lives for revenge and since the chess hustlers took the man who saved his life in Guatemala, he is bent on cleaning out the hustlers through his amazing chess skills

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OperaREVIEWSREVIEWS BY

MOSCOW, CHERYOMUSHKI

Every principal carries their songs in character beautifully! While Sophie Gordeladze (soprano) is the voice of the state, she is also a sweet treat as Lusya. Sara Heaton (soprano) as Lidochka vocally conveys the skeptical female of the three and works very well with (baratone) Paul LaRosa’s Boris, the gadabout. (bass) Matt Boehler’s physical comedy plays with just enough of the required sleaze.

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