Tom Williams

Tom Williams founded ChicagoCritic.com in 2001 and spent decades reviewing theatre and live performance across Chicago and its suburbs, from Broadway tours and major institutions to storefront theatre, opera, cabaret and classical music. In 2010, the Society of Midland Authors honored him with the James Friend Memorial Award for Literary and Dramatic Criticism (our 2010 announcement). Concord Theatricals quotes his reviews on its licensing pages for shows including Crazy for You and City of Angels.

The Bottle Tree

September 6, 2017October 23, 2016 by Tom Williams

In Beth Kander’s world premiere drama, The Bottle Tree, the focus is on the rural Southern (Mississippi) gun culture. We meet Myrna Mason (Kathleen Ruhl) who is the matriarch of the poor-white-trash Mississippi Mason clan. Myrna is an old maid aunt to Rhoda (Christina Gorman) and her surviving daughter Alley (Katherine Acosta). Myrna is obsessed with the ghosts of her family. She believes in the hoodoo folk magic rural tradition. She has a Bottle Tree in her yard to help trap bad ghosts so that they will not influence her family.

Multitudes

October 23, 2016October 22, 2016 by Tom Williams

British playwright John Hollingsworth has penned a cautionary tale that exposes the conservative view of multiculturalism that believes that brown people, especially followers of Islam, can never really be “British” even if they are born in the UK or have been there since childhood. The fear Englishman express from those of color and those who embrace Islam have started raising their ugly heads in Bradford, England.

Hamilton

October 1, 2026October 20, 2016 by Tom Williams

Hamilton lives up to the hype as it is engaging, high-energy and an emotionally thrilling theatrical experience. It is an opera, a rap show, and an accurate history lesson that presents as dazzling entertainment. In this breakthroughs work, Lin-Manuel Miranda has moved the Broadway musical (opera) into new areas. It is terrific storytelling that bravely takes pop culture into the world of opera and Broadway musicals. The good news is that he has brought a new audience to musicals as young folks love this show.

48th Annual Equity Jeff Awards

October 17, 2016 by Tom Williams

The classic revenge tale “The Tempest”, reimagined at Chicago Shakespeare Theater as a traveling tent show of trickery and amazement, was recognized for Production-Play for a large theatre, Direction of a Play for Aaron Posner and Teller, Magic Design for “The Great Tomsoni” Johnny Thompson, and Lighting Design for Thom Weaver.

Porchlight Music Theatre’s “Dreamgirls”, the story of the aspirations and success of rhythm and blues artists in the 1960s and 70s, was honored with awards for Production-Musical for a midsize theatre, Principal Actress Donica Lynn, Supporting Actor Eric Lewis and Costume Designer Bill Morey.

Lucia Di Lammermoor

October 17, 2016October 17, 2016 by Tom Williams

But Lucia Di Lammermoor rests on the performance and vocal acumen of Lucia and Edgardo. Russian soprano Albina Shagimuratova’s mad scene (one of the most famous in opera) was powerfully sung and acted by Shagimuratova. She is becoming the finest Lucia in the world! Also Polish tenor Piotr Beczala is known as thee Edgardo in the world today. Together these two propel this opera to the heavens. Add the fine coral work and the fine work from Romanian bass Adrian Sampetrean as chaplain Raimondo and this opera plays as a triumph bel canto opera

Pirandello’s Henry IV

September 6, 2017October 12, 2016 by Tom Williams

One of the main reasons to see Pirandello’s Henry IV is to enjoy the fantastic work by Mark L. Montgomery as the possibly mad Italian nobleman. Montgomery is one of the most skilled actors working on Chicago stages. His ability to articulate and dominate the stage leaving much doubt if his character is cured from his insanity or still mad or possibly playing games with his enablers? With Pirandello there is always doubt as to where fantasy and reality end. Questions of identify, truth and psychology receive unique treatment by Pirandello

Let Me Entertain You: Jule Styne’s Greatest Hits

September 6, 2017October 9, 2016 by Tom Williams

Tunes from Funny Girl (lyrics by Bob Merrill) with like know shows that produced songs that became standards, this songfest produces one tuneful song after another. we remember songs like “The Party’s Over,” ” Don’t Rain on My Parade,” I’ve Heard That Song Before,” “It’s Been A Long Time,” “Saturday Night Is the Loneliest Night of the Week, “It’s Magic, ” “Time After Time,” and “Make Someone Happy” and “People” are among the wonderful tunes that not only were sung expertly but presented with their meaning or spirit.

Apartment 3A

September 6, 2017October 7, 2016 by Tom Williams

Apartment 3A features a female liberal PBS TV station on air fund raiser in a Midwest town, Annie (Eleni Pappageorge) who is having a bad time. She catches her lover having sex with another woman that makes her leave in rage. She quickly find an apartment in a questionable part of town – Apartment 3A. She takes the place and she immediately meets her neighbor in 2A, Donald (Daniel Smith), a well dressed man who immediately tells Annie not to fall in love with him since he is happily married. Annie has weird attraction to the quirky man who is a landscape painter who loves to cook eggs.

Das Rheingold

October 6, 2016 by Tom Williams

In a new production, the Lyric Opera of Chicago has mounted the finest staging that I have ever seen of an opera! Wagner, who wanted his Der Ring des Nibelungen to be know as a music drama, would be proud of David Pountney’s stage of Das Rheingold which was based on Johan Engels and Robert Innes Hopkins designs. Below you’ll see a vast array of photos in order for readers to get a feel for this magnificent staging that enhances Wagner’s music drama as a compliment to Wagner’s power score and the fantastic voices from the world class singers.

Red Velvet

October 5, 2016 by Tom Williams

It is the story of the first African-American actor to play Othello for two performances at the Theatre Royal in Covent Garden in London in 1833. When the famous Shakespearean actor Edmund Kean becomes ill, company manager Pierre LaPotre (Mtthew Klinger) brings on his friend and well qualified veteran actor Ira Aldridge 1807- 1867 (Brandon Greenhouse) to play Othello. This was a daring choice by LaPorte since a black man had never before played Othello on a major London theatre. 1833 was a riotous time in London with the abolition of slavery in England and various social and political reforms being enacted. Change at all levels was being challenged.