Author: Tom Williams

Theatre ReviewsTom Williams

South Pacific non-Equity Tour

It is important that classics like South Pacific be presented in their entirety with all the songs, all the underscoring and all reprises so as to let the next generation experience all the splendor of the original production. This show does that effectively. Granted contemporary theatre aficionados may question many of the story elements and persona of key characters but they will have no quibble with Rodgers and Hammerstein marvelous songs.

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Theatre Reviews

Superior Donuts

An old dog learns some new tricks in Mary-Arrchie’s post-Steppenwolf production of the Chicago-set story of Superior Donuts. Its casting and direction help raise an otherwise sitcom-esque premise to a genuine tale of redemption and new beginnings.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

The Foreigner

Besides the hilarious exchanges between Betty and Charlie, we see how all the characters openly speak in front of Charles since they believe he doesn’t understand their words. The folks grow to love and trust Charlie mostly due to Shue’s clever characterization and Rod Armentrout’s tour de force performance. He invents a pig-Latin language , gloriously pretends he doesn’t understand anything and he ‘learns’ their language in a series of funny imitative scenes.

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Theatre Reviews

Ameriville

The righteously indignant tone that pervades so much of the production seems to be that of the “last angry man” at open-mic night. Ultimately it’s a disappointment to see so much effort spent reminding us to have empathy for a weary world. It offends by putting us on the offensive by aggressively assuming we lack it.

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