The play is based on the infamous 1782 epistolary novel of sexual intrigue and ruthless manipulation set in pre-Revolutionary France. The action centers around two high-powered friends, the Vicomte de Valmont (played by Nick Sandys) and the Marquise de Merteuil (played by Rebecca Spence) who develop a game to test their well-seasoned skills as lovers.
Read MoreLovers of swing, big bands and tap dancing will enjoy My Brother’s Keeper. Black Ensemble Theater finally has a first rate dance show thanks to the talented Rueban Echoles and the youthful emerging talent of Rashawn Thompson.
Read MoreIn one of the finest productions I’ve ever witnessed at Court Theatre, director Charles Newell’s passion for Baroque metatheatricality comes across in a splendid, throughly engrossing, production of The Illusion running through April 11, 2010. This is a “can’t miss show!”
Read More“Winterreise” poses more of a challenge as the white box theater is much smaller, but the result is a heightened sense of intimacy more so than constriction. With nowhere to run, nowhere to hide, the 20-some-odd people in the near-sell-out audience and the 5 performers fall into a tangled symbiotic web,…
Read MoreBy April Smallwood Directed by Toma Tavares Langston Co-Directed by Eileen Tull Produced by Innate Volution Theatre Productions At North
Read MoreI have seen the play done twice, both times wonderfully; however, it is a rare opportunity to see a piece of Chekhov performed in the original Russian. Furthermore, Maly Drama Theatre is a world-renowned theatre comprised of artists with immense talent: It is one of only three theatres to have been given the status, Theatre of Europe.
Read MoreTrust plays on stage like a screenplay with many short scenes deftly using the video and live stage action to tell the story of a upper middle class family steeped in contemporary technology. We meet Annie (the amazingly truthful Allison Torem) as the 14 year old high school freshman who loves soccer and Internet chat.
Read MoreVeteran actor Turk Muller plays Gippo in a stirring performance filled with a richly authentic Irish brogue and a truthful depiction of a guilt-ridden drunkard. Muller has the blarney, the alcoholic attributes and the bewildering realization that his 30 years in the IRA has gotten him nothing–not even a place to sleep.
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