Samuel Wigutow Donizetti’s delightful Don Pasquale (1842), which opened today at Chicago’s Lyric Opera, is an embarrassment of bel canto riches, with a seemingly endless stream of glorious Italian melodies wedded to a lighthearted yet often witty comedic plot about an elderly man who gets more trouble than he bargained for when he decides in his 70s to finally get married.
The program was billed as “Three B’s… With a Twist”; the “twist” was a partial change, with two of the so-called Three B’s of Classical Music, Bach and Brahms, replaced by Boccherini and Bartok, but the third, Beethoven, left intact. The quartet gave a remarkable performance in this first installment of its three-part series this season in the Logan Center, even if I, for one, was not entirely impressed by the “revision of the Three B’s.”
In short, if you desire thoroughly gripping readings of these great warhorses, you might not find it here; but for anyone open to an unusually “sweetened” take on a composer with a reputation for being a bit dour, or to simply hearing a great orchestra in two thoroughly wonderful pieces, this program has undeniable merit.