MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEEREVIEWSTheatre ReviewsTom Williams

WRENS

We see the groups routine, learn abut each one’s foibles, and experience the fluid relationships. From the stoic motherly Jenny (Rebecca Spence) to the chatty, aggressive Gwyneth (Mary Cross) to tea-maker Doris (Meg Warner to the child-like Dawn (Ashley Neal) to the naive teen newbie Meg (Amanda Powell) to the ‘by-the-rules Cynthia (Jodi Kingsley) and the mysterious, standoffish Chelsea(Katrina Kuntz) – we get to know and like each women. Here pace, expert acting and atmosphere make for a naturalistic atmosphere.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

The Iron Stag King: Part One

The first part of Nathan Allen and Chris Mathews’ new trilogy, The Iron Stage King: Part One is a complex epic of crowns and country using elements of the King Arthur and Norse mythology with sprinkles of American fable themes. Utilizing all the House stylistic elements including puppets, miniature models, strong lighting, unique costumes with ample sprinklings of humor, this story has richly layered storytelling that explores the nature of leadership, governance with the unique American struggle to balance personal liberty with actions for the common good of society.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

33 Variations

Dr. Katherine Brandt (Janet Ulrich Brooks), a music scholar is obsessed with trying to solve the Beethoven riddle despite her battle with ALS and her deteriorating relationship with her daughter. Brandt’s drive sends her to Bonn, Germany to the vast Beethoven archives. Kaufamn’s drama is accompanied throughout by a grand piano centered on stage with George Lepauw playing one of the 33 variations during each scene.

As the mystery unfolds, we see Katherine’s ALS render her increasingly debilitated as well as us witnessing Beethoven’s deafness and deteriorating health, But each has a passion that compels them toward solving their mysteries. Her Beethoven is fixated on finishing all the possible variations; for Katherine it is solving the “why” of Beethoven’s fixation.

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