Opera

OperaREVIEWSTom Williams

Un Ballo In Maschera (A Masked Ball)

Among the terrifically strong voices in this opera, diminutive Katleen Kim sings her tricky lyrics with gusto. Stephanie Blythe’s contralto haunts while Sondra Radvanovsky’s rich soprano soars. Mark Delavan’s rich bass baritone resonates well but Frank Lopardo’s nicely textured and emotionally deep tenor deftly depicts the Gustavus character. Verdi’s powerful score swept across the stage challenging the singers to reach down to convey their meanings. I particularly enjoyed the duets, the trios and the four-part harmonies that lifted into the heavens.

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MUST SEEOperaREVIEWSTom Williams

Carmen – Opera

A few seconds into the Carmen overture, Bizet’s haunting melodies and stirring rhythms remind us of his brilliance. We’ve heard Bizet’s music as underscoring for films as much as we’ve heard them in an opera house. Now add a large cast including the Chicago Children’s Choir and you have a most memorable evening of grand opera!

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MUST SEEOperaREVIEWSTom Williams

Macbeth – The Verdi Opera

Be it understood that Verdi’s opera in NOT Shakespeare’s Macbeth set to music! Rather it is Verdi’s interruption of Macbeth utilizing the music to add depth to all the emotions of the main characters. Emphasizing feminine influence of Lady Macbeth to get her husband to murder his way to power, Verdi’s opera is filled with psychological torment expressed in the wonderful, melodic score that moves from rage to the joyous rebirth of a nation.

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OperaREVIEWSTom Williams

Jesus Christ Superstar

I must admit that I’m not a great lover of Superstar due to its pop/rock elements and its completely sung through rock style. However, Flaster’s casting and the skillful enunciation by the principle singers together with a blend of high-energy staging and haunting dramatization of Christ’s final days made this production of Superstar and explosive journey of redemption for me.

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OperaTom Williams

Three Decembers

It is short, quite melodic with a rich sound from the eleven member orchestra. It is easy to understand as it is sung in English (with English subtitles). It contains a contemporary story and it is sung by two outstanding young performers – Matthew Worth (Charlie) (baritone) and Sara Jakubiak (Beatrice)( soprano). And Three Decembers features the fabulous mezzo-soprano Frederica von Stade as Madeline, the matriarch.

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Music ReviewsOperaTom Williams

Jason (Giasone)

Chicago Opera Theater presents the first of three baroque masterpieces over the next few years. This season features Francesco Cavalli’s 1649 opera devoted toMedea as a central character – Jason (Giasone). The rarely presented opera was quite different from any opera I’ve ever witnessed.

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Opera

Winterreise

“Winterreise” poses more of a challenge as the white box theater is much smaller, but the result is a heightened sense of intimacy more so than constriction. With nowhere to run, nowhere to hide, the 20-some-odd people in the near-sell-out audience and the 5 performers fall into a tangled symbiotic web,…

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OperaTom Williams

The Marriage of Figaro

Figaro contains sweet music, sardonic comedy, and a stinging reflections on love and life — Mozart demonstrates his genius with this masterwork…Besides the melodic, sophisticated score, Lyric Opera has cast Figaro with fabulous actors who are also major star singers

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Opera

The Damnation of Faust

Berlioz based his libretto on Goethe’s classic Faust legend, in which the eponymous scientist pursues love at the expense of his soul. Berlioz unfolds the drama at the onset of Spring, resonating with what Chicagoans must be feeling in coming weeks

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