Opera

Music ReviewsMUST SEEOperaREVIEWSREVIEWS BYTom Williams

Anna Bolena

Not produced at the Lyric Opera since 1985 when Joan Sutherland soared in Anna Bolena, this new production reaches the heights of the bel canto style (beautiful singing) with matching register and tonal quality of the voice to the emotional content of the words. Led by the powerful and stylistic soprano Sondra Radvanovsky as Ann and the smooth mezzo-soprano from Jamie Barton as Anna’s rival for the affections of King Henry, this melodic production of Donizetti’s Tudor-inspired 1830 opera is a major triumph for the Lyric!

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MUST SEEOperaREVIEWSREVIEWS BYTom Williams

Porgy and Bess at the Lyric Opera of Chicago

It was one of those very special nights that can only in happen live, onstage. Over three thousand five hundred people gather to witness an ambitious and thoroughly beautiful production of Gershwin’s masterpiece, the American Folk Opera Porgy And Bess. For me, it was one of the most enjoyable nights I’ve ever spent in the theatre, just like the production of this wonder piece I saw in 2008. The Lyric Opera of Chicago’s second production of Porgy And Bess ranks among the finest opera I’ve seen to date!It is sheer perfection!

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Music ReviewsMUST SEEOperaREVIEWSREVIEWS BYTom Williams

Don Giovanni at the Lyric Opera of Chicago

This production of Don Giovanni is particularly well sung, especially by soprano and Ryan Opera Center alumna Andriana Churchman making her role debut as Zerlina. Her natural melodic singing was a joy to hear! She should be proud of her debut performance. The other cast members were terrific also. Marina Rebeka, a soaring soprano and soprano Ana Maria Martinez as Donna Elvira complimented the scorned ladies.

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OperaREVIEWSREVIEWS BYTom Williams

The Magic Flute (Impempe Yomlingo)

As part of their World’s Stage series, Chicago Shakespeare has smartly brought the magnificent South African troupe, Isango Ensemble to Chicago on their International tour of one of the most charming, energetic and innovative productions of Mozart’s beloved vaudevillian opera – The Magic Flute. Dressed in vivid African attire, the 30 person cast, with the exception of only a few roles, move swiftly from playing marimbas, drums and various percussion instruments to singing and dancing as well as producing marvelous male and female harmonies. I can’t remember seeing a more talented and versatile cast.

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