REVIEWS

REVIEWSREVIEWS BYTheatre ReviewsTom Williams

QED

But it is Rob Riley’s impeccable portrayal of the eccentric scientist that carries the 100 minute bio-drama. Riley swiftly moves from one interrupted story to another effortlessly yet still maintaining a cohesive narrative. We see both the scientist – the inquisitive problem solver, and the human, loveable and humorous side of Richard Feynman

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Simon Boccanegra

The lush melodies were sweepingly romantic as they exude richly deep emotions. The unity of music with libretto in Simon Boccanegra worked strikingly well with the baritones and bass. The two romantic duets are to be cherished. The preponderant of low male voices seemed a tad dark until the music and the glorious soprano from Krassimira Stoyanova balanced the sound in her Lyric debut.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Book Thief

“I am haunted by humans” – Death from The Book Thief

In their Steppenwolf for Young Adults series, Heidi Stillman’s adaptation of the 2006 novel by Markys Zusak captures the essence of life during the World War II Era in Germany. The production, directed by Halle Gordon, misses several opportunities to impact audiences stronger that it actually does

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Wasteland

Who would think that a female actor/director could write a play about Vietnam? But Susan Felder sure did and its a terrific gritty war drama. With a swiftly paced intensity and loads of suspense, Wasteland unfolds as a riveting two-hander upon an awesome set (by Kevin Depinet) that depicts an American solder, circa 1972 captured by the VC and isolated in an underground cave

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Kinky Boots

Kinky Boots comes off as a cliche-ridden story that reminds one of La Cage Aux Folles and Hairspray with hints of British sociopolitical elements, like Billy Elliot. The story revolves around Charlie Price ( the golden boy empathetic Stark Sands) who is forced to save his family’s shoe manufacturing business in Northern England following the death of his father

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Broken Glass

Why is Sylvia Gellburg (Jacqueline Grandt) paralyzed from the waste down when medically she seems fine? Why does Phillip Gellburg (Neal Grofman) come off as attacking, argumentative and self-loathing? What does the horrible news of Kristallnacht in Berlin in November of 1938 so upset Sylvia that she seems obsessed with fear that the attacks on Jews could come to her Brooklyn neighborhood?

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