The ensemble of four actors all commit to their characters and the physical nature of the work wonderfully. Tiffany Ross as Elisabeth is so cold and stoic throughout the play, but bursts into feverish screaming fits when trying to get the attention of her brother. Antonio Brunetti is a manic Nietzsche, struggling to control his inner urges because he is on the cusp of happiness for the first time in his life. John Kahara is hilarious and lovable as Paul Ree…
Eventually, Kani, Ntshona and Fugard settled on a powerful script that, through storytelling, humanized the torturous living of blacks in South Africa from apartheid policies of the white government.
When Iowa passes a law forbidding a registered sex offender from living within 2, 000 feet of places where children congregate …the Deputy must enforce the law by evicting and transporting the sex offender away from those places.
Bertolt Brecht’s plays challenge the most talented theatre troupes and his 1919 first full-length play is a particular difficult work to stage. But leave it to the genius of director Zeljko Djukic to allow complete artistic collaboration from all parties including actors, musicians, lighting, set designers to explorer the subtleties and nuances in Brecht’s initial work, Baal.
The basic plot of 39 Steps follows the 1935 Hitchcock film: bored London Bachelor Richard Hannay (Ted Deasy) meets stunning Annabella Schmidt (Claire Brownell) who is murdered before his eyes, but not before she has told him of her work as a counter espionage agent and given him tantalizing clues to halt the spies. Accused of her murder, he flees to Scotland to uncover the spy ring and thwart them.
What a discovery, what a gem! Music Director Paul Freeman has put together a excellent mixture of the old traditional and new contemporary scores and a new voice in chamber music – the Harlem Quartet. This made for a marvelous evening of music.
Plays in which the focus is on the mood and emotion rather than the story and characters can be a difficult endeavor. The Ghost Sonata is by no means an easy play because the story is near impossible to follow, with only tid-bits becoming slightly understandable. The play itself was revolutionary because it was one of the first chamber plays, meant to be done in a small space with few actors and few sets, but it comes across as a confusing meditation on class, society, and human nature
Unfortunately, Kristian O’Hare’s play is a dud. The Gay American is an uneven hybrid that tries to be a farce and a docudrama but only delivers a series of short scenes that only succeeds as an offensive, foul-mouthed insult to gay men.
Last August, I saw Ka-Tet Theatre’s production of Road and I liked the work from those Purdue grads. Their new show is a fine production of Steven Gridley’s Sun, Stand Thou Still.
I must state up front that I was never a fan of the Rolling Stones so a play with music like Signal Ensemble’s Aftermath has a tough time getting me to like it. Actually, the audience, made up of many old rockers, at the performance I attended seemed to love this show