Skin Tight
Skin Tight is a 50 minute two-hander about a couple living in a special relationship despite being married. We find Tosha Fowler (Ekizabeth) and her husband Tom (Tony Bozzuto) engaged in a highly physical game where ultimate violence…
Skin Tight is a 50 minute two-hander about a couple living in a special relationship despite being married. We find Tosha Fowler (Ekizabeth) and her husband Tom (Tony Bozzuto) engaged in a highly physical game where ultimate violence…
The only thing that kept me engaged was the strong performance by Joe Stearns as the evil Fritz. Stearns is an under rated character actor completely at home in comic or evil roles.
Nelson uses the family brunch setting to explore the family dynamic in terms of how world events actually directly and indirectly affects individuals and the family relationships. These folks speak about ltheir losses, memories and we see the struggle by all to maintain the moral equilibrium in a fast-changing world that somehow escapes them.
Using German playwright Roland Schimmelpfenning’s version of the Idomeneus story, translated by David Tushingham, director Jonathan L. Green has utilized his 15 person ensemble to employ mostly group speak that finds from three to five to the entire cast all speaking the words of the story
The dignified older gentleman, Miguel de Cervantes, played with genuine lovableness by Jim Harms gradually yet honestly wins the souls of his cellmates as he vividly weaves the story of Don Quixote. From Harm’s powerful opening number “I, Don Quixote” we know we’re on a dream-like journey.
The vagueness of the work set in an unnamed island sometime in the 19th Century peopled with characters trying to be Victorian imperialistic representatives of some country with natives that look like white boys and girls from down the block left me asking more questions than the play answered.
Add the one-note mentality that presents the blue collar trailer park ‘trash’ as a group of stupid, simple-minded losers into a sort of “one-joke” affair that quickly wore out its welcome.
We meet the Miller family – four children, the mother and father with an aunt and an uncle all surviving living together in an upper middle class Connecticut house. It is the 4th of July, 1906 in a time of pure innocence in America.
When Nicky, Florence’s 24 year old son arrive home from a year in Paris, the ill-tempered youth has something explosive to announce to his mother. Florence is so occupied doting on young lover that she dismisses Nicky as merely a rage-filled youth.
Some plays are so brilliant, so perceptive, so poignant that they can be seen time and again — each viewing revealing another gem. This is the case with The Glass Menagerie. In this classic work, four anguished characters — successfully depicted by Redtwist Theatre’s excellent cast — are not only unrelievedly human but also amazingly archetypal.