Theatre Reviews

REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Who’s Afraid of Virginia Woolf?

Full of wry bitterness with a bizarre sense producing black humor both funny and tragic, Virginia Woolf’s dialogue is razor-sharp and facetious, often at the expense of anther’s feelings. It is a deeply cynical play about the lack of human communication in the most basic of relationships: marriage. Disappointment and melancholy overpower the characters as they continue to place their faith in their imaginary worlds. Dissatisfaction and depression grips them.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Muerte Del Maestro

Muerte Del Maestro has moments of theatrical innovation – a 2-person bull costume comes to life and shadow puppets added flavor to the show despite the constant blackouts that slow the pace of the show. My biggest complaint – and this one is easily corrected – is why the actors feel they need to shout at the top of their lungs on such an intimate stage?

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Nativity

Based on Langston Hughes’ African American classic Black Nativity, McKinley Johnson’s takes on the birth of the Christ child is most African-Middle East oriented with five new gospel/blues songs by Jaret Landon. This well song show also features Kevin lega Jeff’s sensual traditional choreography and movement. The show is rooted in its unique perspective and solemn, emotionally rich songs.

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REVIEWS BYTheatre ReviewsTom Williams

Wicked 2010 National Tour

As an arts reporter, let me say that the national tour of Wicked has fabulous production values and enough energy to makes for a stimulating evening of musical theatre. Barbara Robertson, as Madame Morrible and Gene Weygandt, as the Wizard of Oz demonstrated the deep talent pool in Chicago. The dazzling look, lighting, costumes, and special effects propel the show as a commercial treat. The show is fun and light weight entertainment

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The Santaland Diaries

Mitchell Fain has dead on comic timing and just the right glint of joy sprinkled on to his cynical nature. He plays with the audience and makes the piece his own, with modern references that were clearly not in the original version. He is like a sassy friend that can dish out insults and treat you like a waste of space, but still be great company for the evening. You want him to make fun of you and say off color comments because you know it is going to be hilarious, even if it’s at your expense.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Lobby Hero

You’ll have to attend the show to see how each of the four resolve their moral dilemmas. Does truth and justice prevail or does cowardice and deceit rule here? Lonergan’s script is believable and his characters are forever changed. The Redtwist Theatre’s production is uniquely staged and it features nuanced and rich performances from Michael Pogue, Maura Kidwell and Eric Hoffman. I particularly liked Andrew Jessop’s smart comic timing in the debates with William. Jessop has disarmingly coy ability to charm and exude empathy from a character that serves him nicely in this show.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Travels With My Aunt

Adapter Giles Havergal used the four person concept in Glasgow’s Citizen’s Theater’s production of Travels. That device was smartly utilized by director Stuart Carden as he shrewdly cast Sean Fortunato to play Aunt Augusta – Henry’s 75 year old horny aunt while John Hoogenakker adds the teenage girl, Tooley and LaShawn Banks plays Wordsworth, Aunt Augusta’s lover and Jeremy Sher adds his foley art to his playing of the Girl in Jodhpurs.

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