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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Peyton Place

In Paul Edwards’ smart, nicely paced and well acted stage adaptation, Peyton Place unfolds as a period piece of life in the repressed 1950’s small town America. We meet three women coming to terms with their sexual identities. Constance MacKenzie (Sheila Willis) is an emotionally drained woman and mother to the sensitive and precious daughter Allison (Catherine Gillespie) – am aspiring writer. Add Selena Cross (Sara Renee Gilbert), the poor girl from the ‘shacks” and we have three microcosms of the emerging women of the ’50’s.

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Improbable Frequency

Improbable Frequency is set during WWII—or “The Emergency” as it was then known to neutral Ireland—and recounts the adventures of Tristram Faraday (Mike Dailey)—a British code breaker, spy, and cruciverbalist (meaning one who compiles crossword puzzles). Being dispatched to Dublin in 1941 to investigate a series of implausibly portentous radio broadcasts, Faraday there encounters a colorful cast of IRA revolutionaries, mad scientists, and double agents. Infiltrating their nefarious ranks, Faraday comes face to face with an insidious scheme to…well, best not get into that now. Let’s just say that Improbable Frequency carries on in the absurdist vein (think James Bond meets early Tom Stoppard), humorously stretching the limits of plausibility as far as they can go.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Completeness

What makes this cute and eye-popping techno production work (despite a computer crash) work is the terrific charming and totally honest performance by Matt Holzfeind as the nerdy wholesome nerd. We easily relate to Elliott as he works out his personal foibles involving his inability to sustain a romantic relationship. His possible soul mate, Molly, played with truthful ambivalence by Kristina Valada-Viars, seems also befuddled by her mixed feeling about romantic commitment.

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