REVIEWS BY

Theatre ReviewsTom Williams

The Last Unicorn

The gusty Promethean Theatre Ensemble shows why they are a young theatre troupe worthy of note with Ed Rutherford’s ambitious and finely imagined stage adaptation of Beagle’s 1968 novel, The Last Unicorn. Director Rutherford’s staging has hints of Mary Zimmerman’s style as story theatre containing use of masks, puppets and highly theatrical movements including songs, physical comedy and narration.

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Theatre ReviewsTom Williams

Calls to Blood

The New Colony theatre company has a marvelous world premiere drama now running at the upstairs at the Royal George theatre. This show is not your run-of-the-mill relationship drama. Not by yards! Calls to Blood is as 80 minute, tightly drawn and well directed (by Andrew Hobgood), relationship drama that starts out with a typical situation. Jacob (Gary Tiedemann) and Alison (Sara Gitenstein) are a perforct married couple of six years. The indeed do love each other, they get along terribly well and life is perfect for them.

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Beverly FriendTheatre Reviews

The House on Mango Street

The House on Mango Street provides an exploration of neighborhood and community, and the play brackets this with opening and closing songs (sung by the full cast) which trace a Mexican-American family’s journey from renting in familiar Chicago residential areas – from Loomis Ave. to Keeler and Paulina – before they actually buy a house on Mango.

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