Tom Williams

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Rantoul and Die

Leave it to the creatives at the American Blues Theater to come up with a fresh, raw dark comedy – Rantoul and Die by Mark Roberts – now in its Regional Premiere at the upstairs space at Victory Gardens Biograph Theater. Written by a TV sitcom writer/producer, Mark Roberts (“Mike & Molly”), Rantoul and Die is far from a tame TV sitcom- rather it is a raw, foul-mouthed edgy dark comedy about four skankiets yet heartbreakingly real characters.

Read More
MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The King and I

The use of two pianos utilized the orchestrations created by the original producers but locked away for 50 years was made available to Porchlight Music theatre by R & H Productions ( owners of the Rodgers & Hammerstein rights) after they found the orchestrations a few years ago. So, this production contains “world premiere” orchestrations that Eugene Dizon and Allison Hendrix played marvelously.

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

next to normal

Why anyone would want to make a musical about mental illness and it’s debilitating effects on a family is one of life’s mysteries? And, if anyone really must have such darkness expressed in song, they best use serious baroque or other classical chamber music influences to express the pain, angst and agony of the mentally ill on and her dysfunctional family.

Read More
MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Cirque Eloize iD

The 16 brave performers blend an original electronic score (composed by Jean-Phi Goncalves) with 10 different urban dance and circus arts. The skilled talents (from seven countries) showcase thrilling skills such as juggling, contortion, in-line skating, stilts, Cyr Wheel, hand balancing, straps, bike trial, Chinese pole and various aerial silks that move swiftly toward the spectacular finale on the dynamic trampowall

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Conquest of the South Pole

German playwright Manfred Karge’s 1986 dark comedy The Conquest of the South Pole, written in East Germany before the wall fell, vividly demonstrates the ill effects of long-term unemployment on a group of adult men. The translation by Calvin McLean, Caron Cadle and Ralf Remshardt aptly yields Karge’s penchant for poetic language as the first scenes contain verse-like dialogue. The work is quite in the Brechtian tradition of theatre which Karge respects dearly

Read More
MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Front Page

We see how the execution of a cop killer is but a backdrop to the larger story of rampant corruption, scandal, and hi-jinx that permeated Chicago in the Jazz Age. The show is filled with local historical references including the Red Scare and the dominance of gangsters in Chicago society. Chicago is depicted by these gritty reporters as a mean street city with politicians ever trying for political advantage in search of wealth, power and patronag

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

One Flea Spare

Wallace’s poetic language is nicely enunciated by this fine cast. Young Elizabeth Stenholt shows promise as an actor. Brian Parry and J. P. Pierson gave yeoman performances. Susan Monts Bologna’s subtle performance powerfully emerged as the strongest. There is humor, intensity and truth in One Flea Spare. For something different, see this show.

Read More