Tom Williams

The Flu Season, besides having nothing to do with the flu, is a play about the agony of writing a play. It is a deconstructed, non-linear drama that wants to be both a love story and a glimpse into the world of mental illness.

Rough Crossing focuses on two European playwrights who have nothing to do before their ship docks in New York except create and rehearse a new ending for their latest musical before the composer finds out the leading actress is cheating on him. What could be simpler!

The line between a sermon, a polemic and a one-person show has become muddled. McLean does put a human face on the New Testament but it isn’t enough to render the work more than a well performed sermon or recital.

It is rare that a playwright also doubles as the lead actor in his own work—but Tommy Lee Johnston is perfect as the eccentric man who can see color auras surrounding others. His talent or curse allows him to feel a person’s emotions whether their vitality or their imminent demise.

The History Boys covers the life of eight English boys prepping for their entrance exams designed to get them into Oxford or Cambridge. But playwright Alan Bennett has a much larger agenda than merely a coming of age story or a debate about the purpose and style of education. He tackles issues such as sexual identity, teen angst and the role of teachers as mentors to their students.

Steppenwolf Theatre’s series for Young Adults mounts terrific theatre—period! Under the tight, flowing direction of Michael Patrick Thornton, Of Mice and Men left the high school students in the audience in tears. They strongly emphasize with both George and Lenny. Of Mice and Men is a compelling and unsentimental tale of friendship and loneliness.