Tom Williams

The razor-thin book only gave sketches in telling Gaye’s life story. With repetitive scenes depicting Gaye’s drug use, low self-esteem, womanizing and inconstant work ethic, we sure see Marvin Gaye’s personal demons still left him the ability to accomplish outstanding musical success. We see both sides of Marvin Gaye – the smooth artist and the self-destructive flawed human often paralyzed by drugs and a painful past.

The two hour plus history is lively, humorous ,and at times, dramatically impacted. Seldom to you see as finer ensemble performing Shakespeare as found in this worthy production. Nick Lake leads the way and John Arthur Lewis guides us through the intricate goings on as Henry V proves his leadership ability while also capturing a French bride. Promethean Theatre Ensemble’s Henry V is sure worth a look.

Jeff and Hunter are two struggling writers who decide to write about their problem trying to find something to write about. They also add the foibles of their two theatre oriented female friends. The show features the tone of how folks actually talk -hence – the use of several f-bombs. This much too self-aware show uses ‘talk-songs’ – think William Finn as his Falsettos. Those atonal talk-songs are trying to emphasize the mundane with familiar vernacular speech

From Peggy Roeder’s Edith Bunker-esque turn as the mother, to Craig Spidle’s copacetic father to Joe Foust’s flamboyant loser son to Erin Noel Grennan’s liberated woman persona to Kevin McKillip’s saintly priest – we empathize with the foibles of this honestly presentation of the ‘average’ middle class American family

Before he wrote RENT, Jonathan Larson wrote and performed tick, tick…BOOM! as an autobiographical look at his dream of leaving his mark on musical theatre. Some would argue that tick, tick, BOOM! is Larson’s best work even though RENT is his most well known rock opera. I have always liked tic, tic…BOOM! better than RENT mainly because it is structured more like a traditional Broadway musical.