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The School for Lies

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As the action unfolds, all the elements of classic farce are in play. Stolen letters, mistaken identity, misunderstanding, false proposals, jealousy become a tug-of-war that results in silly, over-the-top comedy fueled by those zany couplets and rich physical antics make for a satirically funny farce. This comedy is saucy, sexy, and scandal ridden. Gossip, glamor and grossness dominates. This production suffers from too often the players either speak too fast or swallow the punchline or rhythm. Slowing down a tad would help.

The Gin Game

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Scrofano and Reeger — married thespians — are outstanding in their roles
and received a standing ovation. They follow in the footsteps of another
married pair of actors: Hume Cronin and Jessica Tandy whose Broadway
production, directed by Mike Nichols, deservedly won a Pulitzer Prize for
Drama in 1978 and was nominated for four Tony Awards. Others cast as the
sparring pair have included Charles Durning and Julie Harris; E.G.
Marshall and Maureen Stapleton, Dick Van Dyke and Mary Tyler Moore, and
James Earl Jones and Cecily Tyson.

The Bridges of Madison County

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The Bridges of Madison County is the story of a Italian war bride, Francesca, who is saved from raveged Italy by an americal GI who marries her and takes he back to his farm in rural Iowa. Francesca and Bud (Bart Shatto) in 1965 have been married for 18 years and they have two children, Michael (Tanner Hake) and Carolyn (Brooke MacDougal) now teenagers. Bud is a good man despite being a bore-he is a typical farmer bent on raising his crops and providing for his family. Francesca loves him but she urns for more exciment in her life.

Ah, Wilderness! at the Goodman Theatre

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We meet the Miller family – four children, the mother and father with an aunt and an uncle all surviving living together in an upper middle class Connecticut house. It is the 4th of July, 1906 in a time of pure innocence in America. The patriarch, Nat Miller (the commanding Randall Newsome) is a kind heart and understanding father while Essie (a winning Ora Jones) is the controlling old-fashion mother always looking out for her children. Sid Davis (Larry Bates) is Essie’s drunken brother who loves Lily Miller (the chaeming Kate Fry) Nat’s sister who refuses to marry Sid as long as he drinks.

Johnny Johnson

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Kurt Weill’s score has odes to his German operetta roots with a flavor of American motiffs such as marches, anthems and military themes. He even has a ‘Cowboy song’! We hear sweet ballads, cute toe-tapping melodies, darkly moody underscoring with mocking military drum rolls and military excess. Weill’s score is a masterpiece of anti-war agri-prop.

London Assurance

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This wacky comedy is a near-farce with over-the-top characters that are lovable and unpredictable. Once many of the players slow down and speak a tad slower with stronger articulation, this smart comedy would garner even more laughs. Kingsley Day, Cameron Feagin and David Fink lead a ‘game’ cast of players totally committed to Boucicaust’s ambitious play!

Jacques Brel’s Lonesome Losers of the Night – 2017

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Sitting at the back of No Exit Café, hearing the play of the piano within the dim room as the singers breathed life into sentiments older than myself, I caught a glimpse of an old world that was once new and fresh—a world, one imagines, in which the patrons of this “shabby waterfront bar” made love to their glasses as passionately as they made love to their women—as passionately as they rode and communed w

Moby Dick 2017

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Moby Dick is a harrowing and intoxicating adventure that explores revenge, obession, sea adventure and destiny. This Lookingglass production is, in my view, the finest show that Lookingglass has ever mounted! Seeing this physically challenging production will give you a glimpse into the depths that live staging to tell stories can achieve!. Hey, after seeing it, I could almost smell the salt air! Take those who never go to live shows to experience the grandure of the stage. They’ll be amazed!

The King and I 2017 National Tour

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Rodgers and Hammerstein’s first production based on a true story opened on Broadway in March, 1951 with Gertrude Lawrence and Yul Brynner, racked up 1,246 performances in the initial run and Brynner did 4,625 performances over 34 years as the King plus the 1956 movie with Deborah Kerr. Full of timeless songs like “I Whistle a Happy Tune,” “Hello, Young Lovers,” “Getting to Know You” and “Shall We Dance,” The King and I is a Broadway classic that is the ultimate ‘feel good” show considered as the first true ‘theatre spectacle,’ The King and I opened the door for later scenically opulent shows.

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