Local Chicago favorites, Bernie Yvon and Heidi Kettenring deftly present this sweet, charming and honest musical look at the cycles of marriage. Filled with a clever lyrics by Tom Jones upon Harvey Schmidt’s varied music, I do! I do! is fine entertainment.
Chicago Opera Theater presents the first of three baroque masterpieces over the next few years. This season features Francesco Cavalli’s 1649 opera devoted toMedea as a central character – Jason (Giasone). The rarely presented opera was quite different from any opera I’ve ever witnessed.
What would happen if all six of 16th Century English King Henry VIII’s wives found themselves living together? That is the premise of Six Dead Queens now running at Evanston’s Picollo Theatre. This is a madcap comedy that swiftly moved for laughs during its 75 minutes. It had its moments but ultimately succumbs to vague historical references and silliness.
What can be said about this play that hasn’t been said already? Profiles Theatre’s production of Killer Joe by Tracy Letts has already been extended multiple times and is now enjoying a new run at the Royal George Theatre’s cabaret space.
I have ambivalent feeling about the – hypocrites’ production of 1966 hit Broadway musical, Cabaret. Director Matt Hawkins made some curious decisions both about casting and staging of Kander & Ebb’s Broadway musical. …The hypoctites’ production has enough production values to be worth a look.
The story searches for personal identity and family bonds using the motif of hip-hop culture. There are some warm and funny moments but the play comes off as a modern fable with raw contemporary elements. The story has under developed characters that evoke little empathy.
House Theatre’s idea to turn their new loud (rock) musical at the Chopin Theatre, Girls vs. Boys, into a concert-like experience is a great idea that fits in perfectly with this part of Chicago. However, the material of the show does not create rock concert euphoria because it is not fun. The music is continually interrupted by long scenes of cheesy dialogue, the characters are stock and interchangeable, it is often difficult to hear the singer/actors onstage, and rather than stirring the audience into the frenzied euphoria I mentioned, it begs the audience to have fun.
Having to fend for themselves, the teens are concerned with discovering the inner and outer tumult of sexuality. The original play was banned in Germany, for about a century, due to its portrayal of masturbation, abortion, rape, bondage, child abuse and suicide. The immense pressure put on these teens fueled by hypocrisy and stupidity, does lead to dire consequences
Aaron Sorkin (The West Wing and A Few Good Men) loves stories about powerful visionaries. His Chicago premiere of The Farnsworth Invention is a fast faced historical drama about the invention of television. It ultimately pits Russian emigrant, David Sorkin (1891-1971) the founder of NBC and Chairman of RCA – pure Eastern Establishment mogul verses the hayseed Western genius visionary, Philo T. Farnsworth (1906-1971) – the inventor of most of the elements for television
But if you love theatre and want to spread the wonders of the live stage to your children, then Stage Door will do nicely. It is Ferber & Kaufman’s ‘Love Letter’ to the American theatre.