Latest from Chicago Critic

A Comedical Tragedy For Mister Punch

In their 15th season, The House Theatre of Chicago has a wildly ambitious puppet-filled portrait of a prodigy in peril. This is a hauntingly dark tale of the creation of the legendary Puppets Punch and Judy. Featuring terrific puppet and mask design by Jesse Mooney-Bullock, A Comedical Tragedy For Mister Punch unfolds as a humorous very dark tale of the establishment of puppet shows in 18th Century London. Utilizing The House Theatre of Chicago’s storytelling aesthetic, director Shade Murry and playwright Kara Davidson weave the efforts of Italian puppeteer Pietro (nice work by Adrian Danzig) to bring his street puppet show to London.

Scarcity

The solid cast handles all the complications brilliantly. Special kudos to
Grant and young Grey in portraying the volatile mother/daughter
complexities. Throughout, the family members come together and separate in
violent, angry combinations, achieving a certain amount of sympathy as
well as dismay. Sometimes close to being two-dimensional, they manage to
avoid becoming mere caricatures. The whole, compelling experience is
heightened by the physical arrangements of a stage which intersects the
audience. Twenty-four seats in tiered rows flank either side of the set.
This combination of dining room, living room, and kitchen is merely a
handbreadth away, drawing the audience into the action.

Mamma Mia!

Mamma Mia! is an amazing show in that it is immensely popular despite being a pop-rock score by ABBA of mostly forgettable songs. In a curious way, I enjoyed the event more for its charm and its feel-good elements. I was mesmerized by how much audiences enjoyed Mamma Mia! They simply went wild with enthusiasm throughout. Amazing, since it is full of average rock songs and the story is fine but not overwhelming. I guess audiences come to hear ABBA songs performed on nice sets by talented actors. I guess?

FUNNY GIRL

The star, Sally Staats, is not Fanny Brice. Neither is she Barbara Streisand. It doesn’t matter because Staats has made this stage her own with a winsome, touching performance. She and Rob Ibanez, as the gorgeous, gambler Nick Arnstein share a magical chemistry. Even those who may think the 1968 movie version with Streisand and Omar Sharif can’t be topped will be surprised by what the immediacy of a well-done stage production can achieve. Staats and Ibanez are surrounded by a talented ensemble of actors, singers and dancers. Fanny’s long suffering mother is played with verve by Meagan Piccochi, who is especially delightful in interactions with her comedic poker-playing girlfriends. Jessica Noelle Evans nearly steals the show as noisy neighbor Mrs. Strakosh, and stately Bob Sanders is perfect as the often-thwarted showman, Florenz Ziegfield.

Smokey Joe’s Cafe at Drury Lane Theatre

This fast-paced two hour revue is a non-stop songfest that has enough well performed classic rock, pop and R & B to please. . Director/choreographer Dodge has the cast doing movement and dance routines that work effectively on stage. The harmonies and the blended vocal arrangements together with the outstanding musical arrangements by Roberta Duchak sounded terrific. These nine performers demonstrate their talents and we get to hear the songbook of two relatively unheralded composers. Jerry Leiber and Mike Stoller’s tunes come alive in this fun revue. Smokey Joe’s Cafe ranks as one of the longest running reviews on Broadway (2,036 performances) and it has had a long run in the city by Theo Ubique a few years ago.

I DO TODAY

As I left the theatre, i asked myself who is the audience for this show? Jewish theatre patrons? Lovers of solo shows? I Do Today only contains one of the three elements that make solo shows work: a terrific performance by the actor (Carin Silkaitis was terrific and work hard to make the material work.) But, this show lacks the other two essential elements: no celebrity or historical figure and a strong comprehensive script.

Naperville

Naperville turns into a cable TV original play filled with playwright invented wacky characters who seem to p layout their problems through too much caffeine. Candice want to sail and cut her grass despite her blindness. Howard quits his job in Seattle as he feels he needs to move back to Naperville to help his mother. Howard discovers that Anne is an old high school classmate that he had a crush on; Anne realizes the Howard (fifty pounds lighter) was her class mate. Sparks could fly?

The Black Slot

While The Black Slot has a smart premise, problems stretch credulity as the plot unwinds. Further development of Tim and Beth’s relationship and the ending seems unfinished. But the satire of how regional theatres operate and their beliefs systems as to what and why their core audiences want to see on stage hit home for me.

This work sure has possibilities and with some re-writes, it sure could be terrific. As now presented, it sure has many smart moments. Justin Wade Wilson, as Tim and Amy Kasper, as Pam were particularly effective. The Black Slot is worth a look.

Dutchman and TRANSit

These two companion one-acts are riveting, explosive and truthful as simmering racial (and gender) rage explode today as it did in the 1960’s. Both works will upset and get audiences aware of the cancer of racism and gender hatred that eats away at our society. Dramatizing can be the first step toward a solution – hopefully. See these two powerful one-acts.

Farewell My Friend: The Tragic Romance of Star-Crossed Lovers

Even if the two stories never coalesce into a bigger idea, one would still expect that each story, solo ipso, would be moving. Yet here, too, the meaning never comes together in Farewell My Friend. The immersive aspects of being in close proximity to the actors and the continual, narrative disturbances of having to change rooms only to see part of the story ultimately work against the production. I found the acting to be overly emotive and childish, without any honest grounding in true feeling. And as for the latter, again, I found the room changes were too frequent and the story too fragmented to be engaging and establish emotional continuity — a problem I don’t see repeat viewings ameliorating as one would only encounter it again.