MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Barnum

Barnum ran two years on Broadway (1980-82) with music by Cy Coleman (Sweet Charity, City of Angels & Will Rogers Follies) Lyrics by Michael Stewart (Bye, Bye Birdie, Carnival & Hello Dolly!) and book by Mark Bramble (42nd Street). In the Mercury Theater production, director Walter Stearns as assembled a fabulous creative team and a terrific “A” list of Equity actors to make Barnum a true theatrical event. The score is a pastiche of toe-tapping marches, ballads, ragtime and Dixieland tunes with several circus-infused show stopping numbers designed to thrill audiences

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Catch Me If You Can – The Musical

The best part of this musical was in the fine jazzy, swinging-sixties score by Marc Shaiman played with enthusiasm by the on-stage orchestra. As a non-Equity tour, this one was a tad better than most but you’d think for a top ticket price of $85 they’d find performers who could sing? The voices in this tour were much below what can be heard around Chicago from our non-Equity players in storefront theatres.

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A Midlife Something

In short, A Midlife Something captures many of the emotional frustrations of living listlessly young and broke in today’s America, even as it suffers from an ill-paced narrative and too narrow a sphere of activity. Cardiff’s story obviously means something very personal to him, and that investment is palpable in A Midlife Something’s big heart. Now if only the story might be as equally big.

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The Night of the Iguana

Audiences of The Artistic Home’s recent staging of Iguana may keep this in mind, if only because the struggle of its central character, Rev. T. Lawrence Shannon, so closely intimates the one Williams himself would be forced to undergo in the years following. Shannon (played here by the incomparable John Mossman), is a man on the edge. He is “cracked up” and “at the end of [his] rope,”

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Dawn, Quixote

If The Building Stage’s current production of Dawn, Quixote feels undergirded by a pervasive—even wistful—sadness, it’s not hard to understand why. For following the show’s completed run on April 27th, The Building Stage will be shuttering its doors for good. Thankfully founder and artistic director Blake Montgomery’s recent adaptation of Cervantes’s classic is a final act truly worthy of remembrance.

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MUST SEEOperaREVIEWSREVIEWS BYTom Williams

A Streetcar Named Desire – The Opera

The libretto doesn’t shy away from the sexual power of the original script as it contains references to Blanche’s gay husband and as it presents the provocative kissing the newspaper collector “on the mouth”scene. This free-flowing three hour plus production has the haunting tone and a fluid use of trumpet and solo clarinet to amplify the atmosphere and psychology of a scene. Previn demonstrates his perception of the cloudy views of reality as seen by Williams’ characters. A Streetcar Named Desire pack a wallop and must take its place as one fine contemporary operas. Renee Fleming makes Blanche her own.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Under A Rainbow Flag

Under A Rainbow Flag is a delightful, light-weight musical that explores the various types of love that gay men endured in those closeted-days during WWII. This show is a tribute to the wholesomeness and heart of gay men. It celebrates the essence of being gay with a high-energy expression. It contains humor, angst, love, and hope as those early brave souls were determined to live in truth. This is a fun show that could use a trim and more authentic military uniforms but it delivers a well-sung tribute to gay veterans all around bravery. It is a worthy new musical that begs an audience.

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