Fun Home, now playing in a two week run at the Oriental Theatre in Chicago, is a curious Broadway musical on many levels. Ultimately, Fun Home carries a powerful emotional impact as the entire show works much better than any of its parts. I was enchanted mainly by Jeanine Tesori’s ( Caroline, or Change, Shrek The Musical, Thoroughly Modern Millie, and Violet) hauntingly varied score. This memory musical is based on the graphic novel by Alison Bechdel – Fun Home. It won Tony’s for Best Musical, Best Book and Best Score in 2015.

Sing’ In The Rain is a musical fable filled with rich humor, exaggerated film satire, and, of course, explosive tap numbers that bring goose-bums to tap lovers (like me). This classic film musical works nicely on stage. Young audiences will see a Golden Age musical comedies in its pure form. Who doesn’t love a tap show?

The Magic Play by Andrew Hinderaker, now in a world premiere at the Goodman Theatre is both a magic show and a drama. Owing to the magic skills with deft acting, Brett Schneider plays a rising young magician who takes the stage hours after his lover-boyfriend has left him. After being extremely impressed by Schneider’s opening card tricks (nicely projected on a large screen), the magician’s acts starts to unravel, illuminating his offstage personal life.

This 75 minute one -act uses reverse chronology by starting out at the end of the betrayal and going bad in time toward how it all began. Pinter wants to explore the difficulty in maintaining honest relationships with out mates. Loyalty and commitment to family never occurs to these narcissistic heavy drinking intellectuals. Betrayal is a wordy and a tad too redundant as Pinter’s repetitive dialogue hints at how much these characters try to rationalize their behavior. The indirectness of the words masks the pain, doubt and rage inherent in a story of marital betrayal.

It is New Year’s Eve and Jack and Hannah decide to stay at home to celebrate the new year. They give the staff, including Hannah, the rest of the day off including New Year’s Day. Hannah is given a cash bonus in an envelope just before her husband Harrison (Edward Fraim) arrives to take her home. The two couples have a drink to celebrate the new year. After Margaret and Harrison depart, Hannah discovers that Margaret forgot her bonus envelope. She put the envelope on the drink stand where Margaret will easily find it when she returns to work.