Must See

It is 1931 in Monoreville, Alabama when seven-year-old Buddy is dropped of by his mother to his eccentric extended family. Buddy’s first friend quickly becomes his best friend. He develops a life altering unforgettable relationship with the 60something cousin, Miss Sook. She is a spinster recluse woman who never left the county, never ate in a restaurant and never married. Her world is the small house, cooking and being friends with Buddy. She is kind to everyone as she sees the best in everyone. She is thankful to the Lord and beholding to the wonders of nature. She nurtures Buddy as she teaches him by example what it is to be kind, gentle and human.

For an alternative to all those family-friendly holiday shows, try The Seafarer. It’ll give you reasons to go on the wagon for the duration of the holidays! McPherson’s The Seafarer is another of his cathartic plays that allow him to purge his personal battle against alcoholism. (He is now dry for more than 10 years!) He paints contemporary Irish life wherein many men use the act of drinking as a male bonding ritual and a means of companionship. Heavy drinking is a reality escape and a self-loathing act of loneliness and isolation

Come and take the fairy tale musical comedy quest with The Strange Tree Group – you’ll smile, laugh and be musically captivated by the original story told with manic energy. This is a smart, well written show that is ready for prime time. One can home that the major musical comedy producers from The Theatre at the Center, Drury Lane Oakbrook, Marriott Theatre and Chicago Spokeshave Theater come to see The Dead Prince and Emily Schwatrz’. She is a major theatrical artist whose work needs to be mounted at the next level.

The key element that makes this theatrical event so noteworthy is that Kane’s amazing classical acting training together with his expert articulation and enunciation and his ability to makes us ‘see’ each character whether it be Achilles, Agamemnon, Patroclus or King Priam. Kane’s fabulous performance gets aid from Todd Rosenthal’s large bomber-out cement bunker set and from Keith Parham’s riveting lighting and from Andre Pluess’ eerie sound. Charles Newell’s blocking that found Kane moving about, as his emotions spirited him about, kept the story fresh and engaging. The dramatization of the confrontation between Achilles and Hector by Kane became so real that, for an instant, Kane’s eyes seemed to be recalling the actual event.

Rob Fention depicts Kevin’s the somewhat adventurousness of youth; John Hoogenakker presents the self-doubting man who hides in booze while Joe felts regret that he never went for the woman he lusted for. Each of these men tells us of their ordinariness as manifested in their admitting to being “one’s who go with the flow” rather than being “one’s who fight.”