Chicago Critic Must See recommendations.
I never knew how Roy spent the holidays until I needed to borrow his copy of the Gershwin musical, Crazy For You. Roy had a vast collection of theatre memorabilia and I always found him to be the source. I promised my nephew that we would watch the musical so he could be introduced to the wonders of Gershwin music. It was noon on Christmas Eve, snow was falling faster than the plows could remove it. I needed that tape. A promise is a promise.
It is so refreshing to experience classical Browadway musicals mounted like the originals. With all the original Robert Russell Bennett’s orchestrations played by a 30 person orchestra, Annie Get Your Gun, now a holiday treat at Cahn Auditorium in Evanston produced by Light Opera Works, is a marvelous musical containing one of Broadways’ most memorable scores
That decision wears thin on Billy over the years since tones, nuance and timber escape him during the often tremulous family spats. Billy is the only family member who truly listens. He never feels a complete member of the family. That world is challenged when Billy meets Sylvia (Alana Arenas) who is a child of deaf parents and one whose hearing is quickly fading. Billy instantly falls in love with Sylvia who introduces her the the larger Deaf community. Billy learns to sign after prodding from Sylvia.. This exposure sparks a struggle for self-identity for Billy. He realizes that their is a larger world available to him through signing and the Deaf community.
Act two features the fabulous party at Orlofsky’s villa. This wonderful visual, tuneful and rhythmic act features much comedy. In one of them most memorable acts in the operetta cannon, the toe-tapping Strauss score comes alive featuring the impressive folk-infused dances that range from Austrian/German to Hungarian to manic Russian folk dances to augment the lush Viennese waltzes. The choreography is breathtaking! (choreography by Daniel Pelzig). The highlight of this fabulous act is the celebratory champagne toast. The costumes in this production standout as much as the music and the rich vocals.
This delightful comedy brings us the lovable rogue—Sir John Falstaff—played hilariously by Scott Jaeck together with many terrific veteran Chicago actors such as Don Forston (Sir Hugh Evans), James Harms (Justice Shallow), Kevin Gudahl (Master Page), Ross Lehman (Master Ford), Greg Vinkler (Dr. Caius), William Dick (Host of the Garter Inn). In several funny scenes, we witness these splendid Thespians running about like the Keystone Cops in a silent movie! Steven Sutcliffe’s Slender was a particularly funny character marvelously played.
So, on one level An Inspector Calls is a drawing room drama turned mystery a la Agatha Christie with a twist. Priestley has structured a clever mystery that seems to be ‘solved’ but on another level Priestley has another agenda weaved into his mystery. He uses individual guilt and personal accountability to highlight his social justice demands. Combining a smartly constructed mystery into a call for personal and social change reminds me of how Dickens, Shaw and Ibsen used drama to stir audiences.
Archive review: This review covers American Blues Theater’s 2013 production of It’s a Wonderful Life: Live in Chicago at the Greenhouse Theater Center. For current dates and tickets, see our Chicago holiday shows guide. Based on the film by Frank Capra Directed by Marty Higginbotham Produced by American Blues Theater At the Greenhouse Theater Center … Read more
Burning Bluebeard is inspired by the true story of the 1903 Iroquois Theatre fire that in 15 minutes killed over 600 audience member and one cast member. This fantastical tale finds six singed clown performers at the burnt remains of the theatre (set design by Dan Broberg). They are attempting to perform their spectacular Christmas Pantomine once and for all. They hope to reach the happy ending of their second act that wasn’t possible due to the fire.
Book by John Reeger Music & lyrics by Julie Shannon Directed by L. Walter Stearns Musical Director Eugene Dizon Choreographer Brenda Didier At the Mercury Theater, Chicago Several new cast members and deeper felt leads fuel this annual holiday treat The Christmas Schooner, now in its 3rd season at the Mercury Theater, under the artistic … Read more
This show is an ode to the dignity and joy of traditional African living now spoiled by modernity. The music is intoxicating, the dancing sparkles and the mood and atmosphere exudes humanity and the spirit of community. Rueban D. Echoles has a splendid, toe-tapping joyous operetta that begs for an audience. Kudos for Black Ensemble for taking a risk with this original yet traditional “dancesical” that plays out also as a song fest and an ethnic African folk concert. Once Upon A People is a slick, well-staged fairytale with loads of heart. It touches us deeply with its positive message and wonderful spirit. It is one of the finest show yet produced by the Black Ensemble! Don’t miss it!