Chicago Critic Must See recommendations.
Three Tall Women is a most truthful look at the arc of a life from the point-of-view of three generation – the youth, age 26 (C) (Maura Kidwell); in middle age women, age 52 (B) Mary Beth Fisher; and at age 92 on her death bed (A) Lois Markle. This play is a tour de force for all three women as each had several tellingly poignant moments to dominate the stage.
This 85 minute show is a creepy look into the world of insanity played out as a fairy tale more like a Brothers Grimm than Disney tale. We see Odradek emerging as a physical threat to Kyle as his body becomes one with the monster. Director Bullard’s production nicely builds the dramatic tension helped by the bass music underscoring. Joe Steakley is most effective as the stoic, cold-blooded teen whose emotional core is stilted and hidden only to be attracted to the obscure monster.
The two women, bound by blood but driven by desperation, will do anything to survive. Pato’s brother Ray (Kevin Viol) provides the light relief in this potent family drama. Full of universal themes as it applies to any place where people are trapped by circumstances, whether family or social; this play redefines ‘dysfunctional families.’
Featuring one of Shakespeare’s best loved heroines, Rosalind (Kate Fry in a most charmingly winning performance), As You Like It is a sure crowd pleasing pastoral romantic comedy. Director Gary Griffin has cast a full list of “A” list classical players
A new Musical lovingly ripped off from the film “Monty Python and the Holy Grail” Book & Lyrics by Eric Idle Music by John Du Prez & Eric Idle Directed by William Ostetek Music Direction by Roberta Duchak Choreography by Tammy Mader At Drury Lane Oakbrook Theatre Smart, sassy spoof a superlative Spamalot! Kudos to … Read more
By William Inge Directed by Lia Mortensen and Ryan Martin At The Den Theatre, Chicago Terrific first work by a new theatre well worth seeing. There is a new venue in Chicago at 1333 N. Milwaukee Ave., on the second floor – The Den. It is a spacious venue capable of mounting up to 100+ … Read more
Sullivan’s wonderful melodic score is rich in motifs and references to European opera, British lullabies, contemporary music hall songs with hints of Oriental sounds suggesting Japan. The genius of Gilbert and Sullivan is demonstrated on who well the music and libretto work together to produce the desired effects in a given aria whether that aria be whimsical or serious.
From the start, the orchestra and the exquisite Cats-like costumes (Matt Gutheir) with wigs by Michael Buoninconto created the proper atmosphere for the Cats to roam. Once we learn about “The Naming of Cats,” we meet the old Gumbie cat and all of her friends all of whom aspire to be the cat selected by Old Deuteronomy to be reborn just before dawn.
I’m happy to report that Craig Spidle plays Paul with a sincere admiration and tolerance for Julia. Spidle, one of Chicago’s best actors, has a nice mixture of subtle humor and genuine love for Julia. Karen Janes Woditsch has the shrill voiced Julia down as she combines Julia’s self-deprecating humor and physical gawkiness with her dogged determination and passion for cooking. W0ditsch shows us Julia’s charm, wit and drive. The chemistry between Spidle and Woditsch is enchanting.
Bretolt Brecht’s early work, In The Jungle of Cities. Under the imaginative staging by director Max Truax, Brecht’s 1927 drama is his statement about his warped views of America told through an eleven round symbolic boxing match. Brecht, a lifelong Marxist, depicted Chicago in 1912 as a worker exploiting, violence and bribery riddled place that he found from newsreels and books in Germany.