REVIEWS 
Rare Gems; An Old Favorite at Raging Speeds: Van Zweden conducts Beethoven 7 at the CSO(0)
I have never heard anyone take nearly so fast and sustained a tempo as Van Zweden does here, and that includes Toscanini’s 1939 recording with the NBC Orchestra. It all seems to work rather well in the opening introduction ,marked Allegro sostenuto: This beautifully simplistic introduction so often feels lifeless and dull, sacrilege to what are some of the most brilliantly serene passages in the entire work.
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The Cripple of Inishmaan at Redtwist Theatre
The characters here are colorful, eccentric and so Irish. From Mammy (Kathleen Ruhl) Johnnypateenmike’s 90 year old drunken mother – to Kate who talks to a stone -to cruel Helen who enjoys breaking eggs over her brother’s head -to Billy who has to endure the savage jokes and nasty name calling–all are struggling to escape the boredom of rural life. Josh Salt’s empathetic Cripple Billy and Brian Parry’s hilarious turn as the town gossip are the featured performances among the fine ensemble work contained here.
Henry V
The two hour plus history is lively, humorous ,and at times, dramatically impacted. Seldom to you see as finer ensemble performing Shakespeare as found in this worthy production. Nick Lake leads the way and John Arthur Lewis guides us through the intricate goings on as Henry V proves his leadership ability while also capturing a French bride. Promethean Theatre Ensemble’s Henry V is sure worth a look.
[title of show]
Jeff and Hunter are two struggling writers who decide to write about their problem trying to find something to write about. They also add the foibles of their two theatre oriented female friends. The show features the tone of how folks actually talk -hence – the use of several f-bombs. This much too self-aware show uses ‘talk-songs’ – think William Finn as his Falsettos. Those atonal talk-songs are trying to emphasize the mundane with familiar vernacular speech