REVIEWS

50th Annual Equity Jeff Awards

Here are 50th annual Equity Jeff award nominees and recipients.

2018 Equity Nominees & Recipients

AWARD RECIPIENTS IN BOLD

Production – Musical or Revue – Large

  • Ragtime (2018) – Marriott Theatre
  • Fun Home – Victory Gardens Theater
  • Five Guys Named Moe (2017) – Court Theatre
  • Cabaret (2018) – Paramount Theatre
  • Million Dollar Quartet (2017) – Paramount Theatre

Production – Play – Large

  • A View from the Bridge (2017) – Goodman Theatre
  • Guess Who’s Coming to Dinner (2018) – Court Theatre
  • All My Sons – Court Theatre – All My Sons (2018) – Court Theatre
  • Macbeth (2018) – Chicago Shakespeare Theater
  • Father Comes Home From the Wars (Parts 1, 2 & 3) (2018) – Goodman Theatre

Production Play – Midsize

  • Southern Gothic (2018) – Windy City Playhouse
  • Machinal (2017) – Greenhouse Theater Center
  • Traitor – A Red Orchid Theatre
  • The Cake (2018) – Rivendell Theatre Ensemble
  • Jitney (2018) – Congo Square Theatre Company

Production-Musical-Midsize

  • Buddy – The Buddy Holly Story (2018) – American Blues Theater
  • Hair: The American Tribal Love-Rock Musical – Mercury Theater Chicago
  • Memphis (2018) – Porchlight Music Theatre

Ensemble – Musical or Revue

  • Million Dollar Quartet (2017) – Paramount TheatreBuddy – The Buddy Holly Story (2018) – American Blues TheaterHair: The American Tribal Love-Rock Musical – Mercury Theater ChicagoForever Plaid (2018) – Theatre at the CenterFive Guys Named Moe (2017) – Court Theatre

Ensemble – Play

  • Jitney (2018) – Congo Square Theatre Company
  • Southern Gothic (2018) – Windy City Playhouse
  • Machinal (2017) – Greenhouse Theater Center
  • The Wolves (2018) – Goodman Theatre
  • Traitor – A Red Orchid Theatre
  • The Taming of the Shrew (2017) – Chicago Shakespeare Theater
  • Father Comes Home From the Wars (Parts 1, 2 & 3) (2018) – Goodman Theatre
  • Support Group for Men (2018) – Goodman Theatre

New Adaptation

  • Robert Falls – An Enemy of the People (2018) – Goodman Theatre20,000 Leagues Under the Seas (2018) – Lookingglass Theatre Company
  • Jennifer Blackmer – Alias Grace – Rivendell Theatre Ensemble
  • Brett Neveu – Traitor – A Red Orchid Theatre
  • Barbara Gaines and Ron West – The Taming of the Shrew (2017) – Chicago Shakespeare Theater

New Work

  • Dan Collins and Julianne Wick Davis – Trevor The Musical – Writers Theatre
  • Ellen Fairey – Support Group for Men (2018) – Goodman Theatre
  • Boo Killebrew – Lettie (2018) – Victory Gardens Theater
  • Leslie Liataud, Carl Menninger, and Amy Rubenstein – Southern Gothic (2018) – Windy City Playhouse
  • Minita Gandhi – Muthaland – 16th Street Theater
  • Aline Lathrop – The Hero’s Wife (2018) – 16th Street Theater
  • Keith Huff – Six Corners (2018) – American Blues Theater
  • Novid Parsi – Through the Elevated Line (2018) – Silk Road Rising

Director – Play – Large

  • Ivo van Hove – A View from the Bridge (2017) – Goodman Theatre
  • Dexter Bullard – Mies Julie (2018) – Victory Gardens Theater
  • Chay Yew – Lettie (2018) – Victory Gardens Theater
  • Vanessa Stalling – The Wolves (2018) – Goodman Theatre
  • Niegel Smith – Father Comes Home From the Wars (Parts 1, 2 & 3) (2018) – Goodman Theatre

Director – Musical – Midsize

  • Lili-Anne Brown – Buddy – The Buddy Holly Story (2018) – American Blues Theater
  • Brenda Didier – Hair: The American Tribal Love-Rock Musical – Mercury Theater Chicago
  • Daryl Brooks – Memphis (2018) – Porchlight Music Theatre

Director – Play – Midsize

  • Cheryl Lynn Bruce – Jitney (2018) – Congo Square Theatre Company
  • David H. Bell – Southern Gothic (2018) – Windy City Playhouse
  • Machinal (2017) – Greenhouse Theater Center
  • Lauren Shouse – The Cake (2018) – Rivendell Theatre Ensemble
  • Michael Shannon – Traitor – A Red Orchid Theatre

Director – Musical or Revue – Large

  • Marc Bruni – Trevor The Musical – Writers Theatre
  • Nick Bowling – Ragtime (2018) – Marriott Theatre
  • Gary Griffin – Fun Home – Victory Gardens Theater
  • Ron OJ Parson – Five Guys Named Moe (2017) – Court Theatre
  • Michael Heitzman – 42nd Street (2017) – Drury Lane Productions

Performer in a Principal Role – Musical

  • Tiffany Topol – Once (2018) – Paramount Theatre
  • Jason Grimm – Murder for Two (2018) – Marriott Theatre
  • Eli Tokash – Trevor The Musical – Writers Theatre
  • Zachary Stevenson – Buddy – The Buddy Holly Story (2018) – American Blues Theater
  • Nathaniel Stampley – Ragtime (2018) – Marriott TheatreRob Lindley – Fun Home – Victory Gardens Theater
  • Liam Quealy – Memphis (2018) – Porchlight Music Theatre
  • Kathy Voytko – Ragtime (2018) – Marriott Theatre
  • Dawn Bless – A New Attitude: In Tribute to Patti LaBelle (2018) – Black Ensemble Theater
  • Matthew Crowle – Merrily We Roll Along (2018) – Porchlight Music Theatre (Ruth Page Center for the Arts)

Performer in a Principal Role – Play

  • Ian Bedford – A View from the Bridge (2017) – Goodman Theatre
  • John Judd – All My Sons (2018) – Court Theatre
  • Caroline Neff – Lettie (2018) – Victory Gardens Theater
  • Geno Walker – To Catch a Fish (2018) – TimeLine Theatre Company (Wellington)
  • Heather Chrisler – Machinal (2017) – Greenhouse Theater Center
  • Alex Weisman – Significant Other – Theater Wit and About Face Theatre
  • Larry Yando – Buried Child (2018) – Writers Theatre
  • Janet Ulrich Brooks – The Audience – TimeLine Theatre Company (Wellington)
  • Tara Mallen – The Cake (2018) – Rivendell Theatre Ensemble
  • Edward Gero – The Originalist (2018) – Court Theatre

Performer in a Supporting Role – Play

  • Deanna Dunagan – Blind Date – Goodman Theatre
  • Anthony Irons – Jitney (2018) – Congo Square Theatre Company
  • Anthony Irons – How to Use a Knife (2018) – Shattered Globe Theatre
  • Andrus Nichols – A View from the Bridge (2017) – Goodman Theatre
  • Sydney Charles – Guess Who’s Coming to Dinner (2018) – Court Theatre
  • Matt DeCaro – Cat on a Hot Tin Roof (2018) – Drury Lane Productions
  • Shannon Cochran – The Importance of Being Earnest (2017) – Writers Theatre
  • Keith Kupferer – Cal in Camo – Rivendell Theatre Ensemble
  • Jason Grimm – Bunny Bunny: Gilda Radner, A Sort of Love Story – Mercury Theater Chicago
  • Matt DeCaro – The Audience – TimeLine Theatre Company (Wellington)

Performer in a Supporting Role – Musical

  • Veronica Garza – 9 to 5: The Musical (2018) – Firebrand Theatre
  • Matthew Crowle – South Pacific (2018) – Drury Lane Productions
  • Aaron Umsted – Oklahoma! (2018) – Marriott Theatre
  • Gavin Rohrer – Million Dollar Quartet (2017) – Paramount Theatre
  • Katherine Thomas – Ragtime (2018) – Marriott Theatre
  • Shanesia Davis – Billy Elliot – Porchlight Music Theatre (Ruth Page Center for the Arts)Hannah Starr – Fun Home – Victory Gardens Theater
  • Sean Fortunato – Billy Elliot – Porchlight Music Theatre (Ruth Page Center for the Arts)
  • Jenna Coker-Jones – Company (2018) – Venus Cabaret Theater at Mercury Theater Chicago
  • Hollis Resnik – Cabaret (2018) – Paramount Theatre

Performer in a Revue

  • Yando Lopez – Forever Plaid (2018) – Theatre at the Center
  • Lorenzo Rush, Jr. – Five Guys Named Moe (2017) – Court Theatre
  • Jasbir Singh Vazquez – Gaslight District (2018) – The Second City e.t.c.

Solo Performance

  • Janet Ulrich Brooks – The Lady with All the Answers (2018) – Theatre at the Center
  • Stacy Keach – Pamplona (2018) – Goodman Theatre
  • Kate Fry – The Belle of Amherst (2017) – Court Theatre
  • Minita Gandhi – Muthaland – 16th Street Theater
  • James Leaming – This Wonderful Life – American Blues Theater

Scenic Design – Large

  • Todd Rosenthal – The Doppelganger (2018) – Steppenwolf Theatre Company
  • Todd Rosenthal – 20,000 Leagues Under the Seas (2018) – Lookingglass Theatre Company
  • Scott Davis – Guess Who’s Coming to Dinner (2018) – Court Theatre
  • Kevin Depinet – The Taming of the Shrew (2017) – Chicago Shakespeare Theater
  • Courtney O’Neill – Plantation! (2018) – Lookingglass Theatre Company

Scenic Design – Midsize

  • Jeff Bauer – How to Use a Knife (2018) – Shattered Globe Theatre
  • Scott Davis – Southern Gothic (2018) – Windy City Playhouse
  • Angela Weber Miller – Mary’s Wedding (2018) – First Folio Theatre
  • Jose Manuel Diaz-Soto – The Explorer’s Club (2018) – Citadel Theatre Company
  • Arnel Sancianco – The Cake (2018) – Rivendell Theatre Ensemble

Costume Design – Midsize

  • Emily McConnell – Hatfield & McCoy – The House Theatre of Chicago
  • Mieka van der Ploeg – The Skin of Our Teeth (2017) – Remy Bumppo Theatre Company
  • Robert Kuhn – Hair: The American Tribal Love-Rock Musical – Mercury Theater Chicago
  • Bill Morey – Memphis (2018) – Porchlight Music Theatre
  • Bill Morey – Merrily We Roll Along (2018) – Porchlight Music Theatre (Ruth Page Center for the Arts)
  • Paul Kim – The Explorer’s Club (2018) – Citadel Theatre Company

Costume Design – Large

  • Alison Siple – In the Next Room or the Vibrator Play – TimeLine Theatre Company (Belmont)
  • Mara Blumenfeld – The Importance of Being Earnest (2017) – Writers TheatreTheresa Ham – Ragtime (2018) – Marriott Theatre
  • Linda Cho – Schiller’s Mary Stuart (2018) – Chicago Shakespeare Theater
  • Susan E. Mickey – The Taming of the Shrew (2017) – Chicago Shakespeare Theater

Sound Design – Midsize

  • Stephen Ptacek – The Skin of Our Teeth (2017) – Remy Bumppo Theatre Company
  • Jeffrey Levin – Welcome to Jesus – American Theater Company
  • Christopher Kriz – The Heavens Are Hung in Black – Shattered Globe Theatre
  • Christopher Kriz – The 39 Steps (2017) – Buffalo Theatre Ensemble
  • Christopher Kriz – Mary’s Wedding (2018) – First Folio Theatre
  • Jeffrey Levin – Machinal (2017) – Greenhouse Theater Center

Sound Design – Large

  • Robert E. Gilmartin – Murder for Two (2018) – Marriott Theatre
  • Rick Sims – 20,000 Leagues Under the Seas (2018) – Lookingglass Theatre Company
  • Andre Pluess – Macbeth (2018) – Chicago Shakespeare Theater
  • Andre Pluess – Hard Times (2017) – Lookingglass Theatre Company
  • Ray Nardelli – Skeleton Crew – Northlight Theatre

Lighting Design – Large

  • Jesse Klug – Million Dollar Quartet (2017) – Paramount Theatre
  • Christine Binder – 20,000 Leagues Under the Seas (2018) – Lookingglass Theatre Company
  • Thom Weaver – Macbeth (2018) – Chicago Shakespeare Theater
  • Brian Sidney Bembridge – Hard Times (2017) – Lookingglass Theatre Company
  • Yael Lubetzky – Cabaret (2018) – Paramount Theatre

Lighting Design – Midsize

  • Lee Keenan – Hatfield & McCoy – The House Theatre of Chicago
  • Rachel Levy – Welcome to Jesus – American Theater Company
  • Nick Belley – Hair: The American Tribal Love-Rock Musical – Mercury Theater Chicago
  • Denise Karczewski – Billy Elliot – Porchlight Music Theatre (Ruth Page Center for the Arts)Cat Wilson – The Wolf at the End of the Block (2018) – 16th Street Theater
  • Eric Watkins – Machinal (2017) – Greenhouse Theater Center
  • Cat Davis – De Troya (2018) – Halcyon Theatre

Choreography

  • Alex Sanchez – Newsies – Marriott Theatre
  • Alex Sanchez – Oklahoma! (2018) – Marriott Theatre
  • Josh Prince – Trevor The Musical – Writers Theatre
  • Christopher Carter – Memphis (2018) – Porchlight Music Theatre
  • Jared Grimes – 42nd Street (2017) – Drury Lane Productions

Music Direction

  • Tom Vendafreddo – Once (2018) – Paramount Theatre
  • Michael Mahler – Buddy – The Buddy Holly Story (2018) – American Blues Theater
  • Doug Peck – Fun Home – Victory Gardens Theater
  • Abdul Hamid Royal – Five Guys Named Moe (2017) – Court Theatre
  • Jermaine Hill – Memphis (2018) – Porchlight Music Theatre

Original Music in a Play

  • Shawn Pfautsch and Matt Kahler – Hatfield & McCoy – The House Theatre of Chicago
  • Christopher Kriz – Mary’s Wedding (2018) – First Folio TheatreJustin Ellington – Father Comes Home From the Wars (Parts 1, 2 & 3) (2018) – Goodman Theatre
  • Andre Pluess – Hard Times (2017) – Lookingglass Theatre Company
  • Andre Pluess – Macbeth (2018) – Chicago Shakespeare Theater

Artistic Specialization

  • Properties Design – Eleanor Kahn – Southern Gothic (2018) – Windy City Playhouse
  • Fight Choreography – Matt Hawkins – Macbeth (2018) – Chicago Shakespeare Theater
  • Movement/Musical Staging – Christopher Carter – Five Guys Named Moe (2017) – Court Theatre
  • Movement Direction – Elizabeth Margolius – Machinal (2017) – Greenhouse Theater Center

Projection Design

  • Mark “Trace” Umstattd – De Troya (2018) – Halcyon Theatre
  • Joseph A. Burke – Women Laughing Alone with Salad (2018) – Theater Wit
  • Joseph A. Burke – Elf The Musical – Paramount Theatre
  • Stephan Mazurek – Lettie (2018) – Victory Gardens Theater
  • Anthony Churchill – Merrily We Roll Along (2018) – Porchlight Music Theatre (Ruth Page Center for the Arts)

Special Jeff Awards

The Jeff Awards celebrated its 50th anniversary by presenting four Special Awards to theatres thriving after more than 50 years:

Goodman Theatre

Founded in 1925: America’s “Best Regional Theatre”” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle” and its annual holiday tradition A Christmas Carol, which celebrates its 41st anniversary this season, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.

Drury Lane Theatre,

Founded in 1949: Under the leadership of President Kyle DeSantis and Artistic Director William Osetek, Drury Lane Theatre is a major force in the Chicagoland theatre scene, presenting world-class productions in collaboration with some of the nation’s leading actors, artists, writers, and directors. Drury Lane has had locations in Evergreen Park (which operated for 45 years, closing in 2003), Water Tower in Chicago, and its current operation in Oak Brook for the past 30 years. Collectively at its locations, Drury Lane has staged more than 2,000 productions and has been nominated for more than 350 Joseph Jefferson Awards. Drury Lane is committed to breathing new life into beloved classics and introducing audiences to exciting new works. Drury Lane in Oakbrook alone has employed more than 7,500 actors and 10,000 musicians, designers, and technicians to entertain upwards of nine million audience members. Originally founded by Anthony DeSantis, Drury Lane Theatre remains a family-run organization known for producing breathtaking Broadway classics, top-rated musicals, bold new works, hilarious comedies, and unforgettable concert events.

Court Theatre

Founded in 1955: Court Theatre was founded in 1955 as an amateur outdoor summer theatre at the University of Chicago. Nicholas Rudall, a Professor of Classics at the University, established the theatre as a professional company in 1975. As Founding Artistic Director, Rudall first conceived Court’s mission of translating and adapting classic texts for contemporary audiences. Today, Court Theatre is the professional theatre of the University of Chicago, dedicated to innovation, inquiry, intellectual engagement, and community service. Court now serves 50,000 patrons and 4,000 high school students each season through its main stage productions and its community partner and education initiatives. Charles Newell, the Marilyn F. Vitale Artistic Director, has led Court since 1994; Executive Director Angel Ysaguirre joined the theatre in 2018. In 2013, Court established the Center for Classic Theatre at the University of Chicago, dedicating the theatre to an expanded mission: curating large-scale, interdisciplinary theatrical experiences that fully access and utilize the extraordinary intellectual resources that surround the theatre. Dynamic collaborations with University of Chicago faculty and with community partners on Chicago’s South Side enable Court to re-examine classic texts in ways that pose enduring and provocative questions about the human experience. Court Theatre aims to make a lasting contribution to American classic theatre by commissioning new works—including new translations and adaptations—and by continuing to explore, expand, and re-define the canon of classic texts.

Second City

The Jeff Awards has been honoring outstanding theatre artists annually since it was established in 1968. With up to 55 members representing a wide variety of backgrounds in theatre (including producers, directors, actors, playwrights, designers, professors of theatre, entertainment lawyers and agents and theatre lovers), the Jeff Awards is committed to celebrating the vitality of Chicago area theatre by recognizing excellence through its recommendations, awards and honors. Opening night judges include not only Jeff members but also the team of Artistic and Technical theatre volunteers (the “A/T Team”) which is comprised of artistic directors, producers, directors from major Chicago theatres, actors and designers. The Jeff Awards fosters the artistic growth of area theatres and theatre artists and promotes educational opportunities, audience appreciation and civic pride in the achievements of the theatre community. Each year, the Jeff Awards judges 300 theatrical productions and host two awards ceremonies. Originally chartered to recognize only Equity productions, the Jeff Awards established the Non-Equity Wing in 1973 to celebrate outstanding achievement in non-union theatre.