Annie Get Your Gun on Broadway
Annie Get Your Gun is Irving Berlin’s classic musical inspired by the life of sharpshooter Annie Oakley. With music and lyrics by Berlin and a book by Herbert and Dorothy Fields, the original Broadway production opened in 1946 starring Ethel Merman and became one of the era’s major musical hits. The show has since returned in numerous revivals, including the 1999 Broadway revival.
What Is Annie Get Your Gun About?
Annie Get Your Gun presents a fictionalized version of Annie Oakley’s rise as a star sharpshooter in Buffalo Bill’s Wild West show and her relationship and rivalry with fellow marksman Frank Butler. The musical combines romance, comedy and show-business spectacle with one of Irving Berlin’s best-known scores.
How Long Is Annie Get Your Gun?
Productions of Annie Get Your Gun commonly run around 2½ hours including intermission, although running times vary by production. The 2010 Ravinia production reviewed below ran approximately 2 hours and 25 minutes with intermission.
Famous Songs from Annie Get Your Gun
The score includes several Irving Berlin standards, including “There’s No Business Like Show Business,” “Anything You Can Do,” “They Say It’s Wonderful,” “I Got the Sun in the Morning,” “Doin’ What Comes Natur’lly” and “You Can’t Get a Man with a Gun.”
ChicagoCritic also reviewed the 2013 Light Opera Works production of Annie Get Your Gun at Cahn Auditorium in Evanston.
ChicagoCritic’s Annie Get Your Gun Review
From the ChicagoCritic Review Archive: This original review covers the 2010 Ravinia Festival concert production of Annie Get Your Gun, starring Patti LuPone as Annie Oakley and Patrick Cassidy as Frank Butler, with the Chicago Symphony Orchestra conducted by Paul Gemignani. The original review and production information are preserved below for historical reference.
Music & Lyrics by Irving Berlin
Book by Herbert & Dorthy Fields
Chicago Symphony Orchestra
Music Direction by Paul Gemignani
Directed by Lonny Price
Choreographed by Josh Rhodes
In a stylized concert staging a Ravinia’s Pavilion
Casting choice hurt Annie Get Your Gun
Ravinia Festival’s three performance (through Sunday, August 15) Annie Get Your Gun is a stylized concert stage event that nearly becomes a full fledged production sans sets. With the Chicago Symphony Orchestra on stage (conducted by Paul Gemignani), Irving Berlin’s 1946 Broadway Musical, Annie Get Your Gun sounded magnificent. Considered my many (including me) to be Berlin’s masterpiece, Annie Get Your Gun has one of the finest scores and smart lyrics ever penned for the stage! Featuring the Broadway anthem “There’s No Business Like Show Business,” “Doin’ What Comes Natur’lly” and “They Say It’s Wonderful,” Annie Get Your Gun is pure classical Broadway fun.
Conceived by Dorothy Fields as a stat-vehicle for Ethel Merman, Annie Get Your Gun demands a Broadway-belter and Patti LuPone , now a Ravinia perennial, fills that role with zest as Annie Oakley, the sharp-shooting hick from Ohio. When Buffalo Bill’s (George Hearn) Wild West show comes to Cincinnati, Annie meets Frank Butler (Patrick Cassidy) and instantly falls in love. She joins the show after out-shooting Butler. The love chase is on. Filled with tunes like “The Girl That I Marry” and “You Can’t Get A Man With A Gun,” Berlin’s ‘situation show’ is pure Broadway fluff that never takes itself too seriously.
Unfortunately, once Brian Stokes Mitchell dropped out, his replacement, Patrick Cassidy (who played Frank Butler on Broadway) was miscast as his singing was shaky at best, his acting was unsure and he was not believable as the charismatic Butler. No sparks were evident between he and LuPone. That made the romantic element almost mute. The duet numbers “They Say It’s Wonderful,” “Moonshine Lullaby” and “Anything You Can Do” were completely dominated by Patti LuPone.
The core of the show’s energy came form the strong supporting cast led by the Michael Weber’s exuberant Charlie Davenport, the Wild West show’s manager. Weber, George Hearn (Buffalo Bill) and Michael Accardo (Wilson/Pawnee Bill) deftly landed the show’s tribute to show biz with their wonderful “There’s No Business Like Show Business.” Weber almost stole the show. Joseph Anthony Foronda (Sitting Bull) and Suzanne Sole (Dolly Tate) did yeomen work also.
Too bad that director Lonny Price and choreographer Josh Rhodes didn’t mount more dancing. They smartly crafted the second act show-stopper “I Got The Sun In the Morning” which was nailed by the underused ensemble of many of Chicago’s top players.
Still, I enjoyed this staged concert’s lush music and the players had their moments. The show seemed a tad under rehearsed and a bite uneven yet there were enough thrilling moments and stirring music to make for an entertaining evening. As a chestnut of the stage, Annie Get Your Gun deserves to experienced again and introduced to the next generation.
Recommended
Tom Williams
At Ravinia Festival, Highland Park, IL, www.ravinia.org, tickets $50 – $90, lawn $20, Saturday, August 14 and Sunday, August 15 at 7:30 pm, running time is 2 hours, 25 minutes with intermission.
Are you aware that Patrick actually played Frank Butler brilliantly on Broadway in 2000?
I tend not to believe your assessment of him at Ravinia since he not only makes a very good Butler, he has more experience with the role than the original cast Mitchell. And I am also a fan of Mitchell’s as I say this.
Did you see Cassidy at Ravinia? If so, you’s know what I was talking about. I see your email address is from patrickcassidy.net, that says it all