Author: Tom Williams

ReviewsREVIEWS BYTheatre Reviews

Season on the Line

Season on the Line follows the Bad Settlement Theater company, a once prominent company in their community who in recent years have hit new lows in both ticket sales and subsequently production quality. A dilapidated, musty old Motel Theater with a budget stretched thinner than razor wire. The scene opens with the new kid, just known as The Narrator, telling the story of how he became the Assistant Stage Manager (ASM

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ReviewsREVIEWS BYTheatre ReviewsTom Williams

The Wild Party

Among the remarkable accomplishments by LaChiusa and Wolfe that director/choreographer Brenda Didier made in The Wild Party was that the story contains a rich, fully developed group of characters depicted through song, dance and comedy. This show is a drama that morifs into a into a musical that marvelously tells its story through songs and strong acting. The singing, dancing and comic turns by the entire cast were amazing

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ReviewsREVIEWS BYTheatre ReviewsTom Williams

Cole Porter’s Greatest Hits

Take all the youngsters in your life to hear a master songwriter’s work neatly song by a veteran cast presenting a varied, engrossing revue of memorable show tunes that have survived the test of time. Cole Porter’s songbook needs to be heard again by us fans of genius composers/lyricists. Porter takes his place among Gershwin, Sondheim, Berlin and Herman. Light Opera Works, once again, has a hit revue going that begs a trip to Evanston.

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The Gravedigger: A Tale of Frankenstein Monster

“The Gravedigger: A Tale of Frankenstein’s Monster”, follows the doctor’s retribution search for the monster….but this eerie tale flows with more symbolism, content and depth of dialogue than one probably finds in the subsequent plays and movies from the original 1818 story. When you suspend disbelief, The Gravedigger offers an honest dramatic evening of theater with good direction, script, acting, and terror…absent the many possible current gimmicks available.

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ReviewsTheatre Reviews

The Vandal

It’s fine to have funny Halloween stories, but the most lasting experiences are those that trigger fears like loneliness and regret. The Vandal packs a lot into its short run-time, and rewards its audience for their investment. This is a good show if you want to break up the drinking and zombies for the early part of an evening sometime this fall.

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ReviewsTheatre Reviews

Smokefall 2014

Over about twenty-eight narrative footnotes, we learn that how dysfunctional this family is. Mike Nussbaum, who is as old as the Goodman, plays a senile clown twenty-three years his junior, Violet’s father. He still insists on the authority due to him as a colonel, but has the memory and continence of a goldfish and has to re-discover his wife’s death every day. Violet’s daughter Beauty (Catherine Combs) eats dirt, so that’s what Violet feeds her.

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Music ReviewsOperaReviewsREVIEWS BYTom Williams

Don Giovanni at the Lyric Opera of Chicago

This production of Don Giovanni is particularly well sung, especially by soprano and Ryan Opera Center alumna Andriana Churchman making her role debut as Zerlina. Her natural melodic singing was a joy to hear! She should be proud of her debut performance. The other cast members were terrific also. Marina Rebeka, a soaring soprano and soprano Ana Maria Martinez as Donna Elvira complimented the scorned ladies.

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ReviewsREVIEWS BYTheatre ReviewsTom Williams

Another Bone

The play starts with a two person speech wherein Rhonda (Jan Ellen Graves) and Marie finish each other’s sentences as they expound about their husband’s deaths as firefighters in NYC. Marie’s man was a 911 hero while Rhonda’s man died in a house fire a year after 911. Both firefighters were heroes but the 911 fallen firefighters were given major hero status by government and by the public. Marie got several million and Rhonda received the normal adequate death benefits. Marie and Rhonda stay friends as each helps the other adjust to life after losing their husbands.

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