Tom Williams

Tom Williams founded ChicagoCritic.com in 2001 and spent decades reviewing theatre and live performance across Chicago and its suburbs, from Broadway tours and major institutions to storefront theatre, opera, cabaret and classical music. In 2010, the Society of Midland Authors honored him with the James Friend Memorial Award for Literary and Dramatic Criticism (our 2010 announcement). Concord Theatricals quotes his reviews on its licensing pages for shows including Crazy for You and City of Angels.

Carmen – 2017- Lyric Opera of Chicago

October 22, 2022February 24, 2017 by Tom Williams

The story revolves around a Spanish gypsy (the wild free-loving Carmen, played seductively by mezzo-soprano Ekaterina Gubanova) and the man she takes as a lover, a Spanish corporal, Don José (The powerful tenor Joseph Calleja). He is an upright but flawed man, with a mother and would-be fiancée in his home village; quick to temper and impulsive, when he shirks the advances of the beautiful gypsy, she finds him irresistible and throws a rose at him, striking him between the eyes. Having bewitched him, Carmen convinces Don José to go to prison in her stead; upon his release, he finds her, and she wants to run away together.

My Brothers Keeper – The Story of the Nicholas Brothers

October 22, 2022February 20, 2017 by Tom Williams

Kudos to Rueben D. Echoles for creating such a wonderful, groundbreaking. bio-musical!. As the book writer, director and one of two outstanding actor/dancers (he plays Harold Nicholas) Echoles’ has created one of the best shows ever at the Black Ensemble Theater. Besides writing, directing, costumes, choreography, he wrote eight original songs that were fine show-specific tunes. Add Echolas’ terrific dancing and this show is truly Echoles’ opus!.

The Invention of Morel

October 22, 2022February 20, 2017 by Tom Williams

To me, this musical surrealism didn’t engage me and quickly became tedious and over produced. It was a long 90 minute one act opera. I’m just too much of a traditionalist to appreciate surrealism in opera. The Invention of Morel could be a treat for lovers of modern, experimental opera? But traditionalist will not appreciate it. But since there seems to be an audience for musical surrealism, The Invention of Morel could appeal to their tast

A Wonder In My Soul

October 22, 2022February 18, 2017 by Tom Williams

A Wonder In My Soul is a most entertaining, often funny, wonderfully sung (not a musical but a play with songs) and a heartfelt drama about friendship, place and personal commitment as seen through social and political change. The dialogue is smart and witty and the acting is first class with Greta Oglesby and Jacqueline Williams leading the way.

Love’s Labor’s Lost

October 22, 2022February 16, 2017 by Tom Williams

LLL is a verbose work with punning and allusions coming almost nonstop. This snappy wordplay is funny and keeps you interested in the characters and the story. The wit and charm comes through from excellent cast lead by Laura Rook (Rosaline) and Nate Burger (Berowne) whose punning banter wins our hearts.

By the Bog of Cats

September 23, 2026February 14, 2017 by Tom Williams

Filled with richly symbolic dialogue that sounds poetic as well as funny in the great Irish tradition of storytelling, By the Bog of Cats is a densely worded tragic drama sprinkled with colorful characters and pure Irish humor.

Urinetown

October 22, 2022February 13, 2017 by Tom Williams

Urinetown is a fresh hilarious spoof of Brechtian ‘epic’ theater, of political theatre and a Weillian stretch of operatic from. The result is a fresh, original colorful surprising musical. Urinetown proves once again that almost any topic is grist for the mill of talented musical composers and lyricists. This exuberant show will leave you basking in the glory of the stage’s power to entertain. BoHo’s energetic production delvers.

Sweeney Todd – The Demon Barber of Fleet Street -Paramount Theatre

October 22, 2022February 12, 2017 by Tom Williams

The story of the demon barber of Fleet Street revolves around Sweeney Todd’s ( the baritone Paul-Jordan Jansen) obsessive desire to seek revenge on the man responsible for exiling him, destroying his wife, and stealing his child. While awaiting his opportunity for retribution, he and the entrepreneurial Mrs. Lovett (Bri Sudia), become partners in a horrific venture in which Sweeney Todd provides Mrs. Lovett with the pivotal ingredient for her meat pies after giving his customers the “closest shave they will ever get.”

The Scottsboro Boys – The Musical

October 22, 2022February 11, 2017 by Tom Williams

The Scottsboro Boys – The Musical is presented in the style of the notorious “minstrel show.” By utilizing a strong Brechtian satire motif led by the razor-sharp commentary by Larry Yando (The Interlocutor), the only white man in the cast, the show becomes a theatrically thrilling telling of a sad history factual story of a group of nine teens taken off a train in 1931 Alabama and accused of raping two white women in the Jim Crow South. The woman were both prostitutes.

Deep in the Heart of Tuna

October 22, 2022February 10, 2017 by Tom Williams

This satire isn’t funny and there were only a few laughs on opening night. The twang Texas rural dialect quickly became tedious and the local references a strain on credulity begging the question” who is the audience for this unfunny satirical comedy?