Author: Tom Williams

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Young Frankenstein

Mel Brooks once again has a show with tremendous audience appeal (it got mixed reviews on Broadway) but it should do better in regional theatre. The opening night audience laughed heartily and applauded vigorously throughout. Brooks’ structured Young Frankenstein in the best Broadway traditions leaning heavily on vaudevillian Borscht-Belt elements. Brooks proves that his is a terrific song writer mixing tune-full melodies, many parodies of other Broadway shows, and witty, often satirical show specific lyrics. There doesn’t seem to be a musical style that Brooks can’t parody.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Cabaret at Marriott Theatre

Set in 1931 at the Kit Kat Club of Weimar Berlin, Cabaret.featuring the rich John Kander score with Fred Ebb’s biting lyrics, Cabaret is a multi-layered musical of decadence and desperation. Based on Christopher Isherwood’s novel, Berlin Stories, Cabaret from its 1966 Broadway opening (winner of 8 Tony’s) and the 1972 film (winner of 8 Oscars) has been mounted often to varying levels of success. In the 2014 Marriott Theatre production (now playing), director David H. bell and Choreographer Matt Raftery have made several questionable choices. it seems that they wanted to somewhat re-imagine Cabaret when audiences have grown to expect a mixture of the stage and film versions of the 1966 & 1972 productions.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Luck of the Irish

When an upwardly mobile African-American couple wants to buy a home in an all white neighborhood of 1950’s Boston, they pay a struggling Irish family to “ghost-buy” a house on their behalf. Fifty-two years later, the Irish family wants “their” house back. Moving across two eras, Luck of the Irish explores our legacy of racial and class issues and the long held secrets that tie two families and one house together.

Reminiscent of Bruce Norris’ Clybourne Park, Luck of the Irish deals with an affluent black family, Lucy (Mildred Marie Langford) and Dr. Rex Taylor (Andre Teamer) who pay cash with a $1500 bonus to a poor Irish family with six children to the Taylor’s can live in a fine all-white neighborhood

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Seven Guitars

Utilizing an extended flashback. Wilson’s look into the rising expectations in the black community post WWII is seen through the eyes of the charismatic blues guitar man – Floyd Barton who has returned from Chicago with a hit blues record yet little money. We see through Floyd, with asides from his six friends, the hopes, dreams and disappointments sometimes expressed best with the dissonant harmonies of blues music.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Phantom of the Opera – National Tour

I believe Phantom survives because of a combination of a hauntingly beautiful score sung well by the entire cast encased in fantastic sets, costumes, lights, sounds, falling chandeliers and pyrotechnics presented in a breathtakingly illuminating showcase. Quality control by producer Cameron Mackintosh demands that each production live up to the highest standard thus assuring audiences that of worthy entertainment. Phantom has all the extravagant trappings necessary for the spectacle that makes The Phantom of the Opera the phenomena it has become.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Day in the Death of Joe Egg

The play’s action comes to a complete halt when Brian and Sheila enact all the events as how Joe came into the world handicapped and what the couple did to try to get something done to help little Joe. In this series of enacted events, Vance Smith deftly and quite comically impersonated fastidious British doctors as well as a goofy German doctor. Smith demonstrated his versatile acting skills. His part is extremely over written but in Vance Smith’s hands Brian becomes a most impressive fellow. You’d be hard pressed to see a stronger acting performance. Smith makes his verbose character tolerable.

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