The Candle that Glowed for 36 Years

One of the great innovations of Chicago theatre in the 1960’s was the creation of America’s first and finest dinner theatre, the Candlelight. As early as the mid 1950’s, the fledgling Barksdale Theatre discovered that it could lure hungry theatre-goers to their rustic and historic Hanover Tavern just outside Richmond, Virginia, for an extremely diverse range of plays. I had the good fortune of knowing three of the original founders of Barksdale, which never considered itself a “dinner theatre”.

Alligator

Among the things that made this work a long 80 minutes are: the entire cast mostly spoke their dialogue in such a fast pace with their words running together that it was hard to understand much of it especially with that Southern drawl. What has happened to enunciating? Southern folks speak slowly – they do not machine gun their speech even when upset.

A Little Sondheim Music

Featuring the fully lush sound of the full Chicago Symphony Orchestra, the Women’s Board 2010 Gala sponsored another birthday celebration (his 80th) for Stephen Sondheim in a concert that featured a rich assortment of Sondheim’s songbook with emphasis on his terrific wordplay lyrics.

Late: a cowboy song

The play’s ambiguity and the simple-minded portrait of Mary by Polly Noonan left me wondering is she just learning how to be an adult or is she just learning that she is really a lesbian? Red is so butch that gender and sexual identity sure steams between the two women.

Shrek The Musical

From the early scenes where we see Shrek, the ogre, being cast out by his parents into the cruel world to fend for himself at age seven, we are suppose to empathize with the green-faced ogre – I never felt his pain. I guess the movie helps? The Broadway production lasted only 478 performances and had a $24 Million Dollar budget – the show lost money despite rave reviews.

Sherlock Holmes: the Final Adventure

Watson takes us back to the time when Holmes is so engrossed with bring down arch criminal Professor Moriarty (Nathan Thompson) that he is willing to rick death to accomplished just that. Watson’s help is needed and accepted. However, just as that adventure is about to embark, a strange visitor to the Baker Street house arrives with a challenge.

Love’s Labour’s Lost

Maybe it was the locust in the trees or the swirling summer wind or, most likely, the positioning of the foot microphones that made it difficult to hear many of the players, especially the women. Add the fact that many of the women spoke too fast, running their words together and you find it difficult understand The Bard’s text, much less get the inherent humor.

A Guide For the Perplexed

When you have Kevin Anderson, Francis Guinan and young Bubba Weiler in your cast you have the makings of a fine show. Their acting and the smart flowing direction by Sandy Shinner save the evening. Joel Drake Johnson’s strange play, A Guide For the Perplexed, sure is a puzzlement since it leaves more unanswered questions than it resolves

Escape From Happiness

When the best thing about a play is the set (designed by Kathy Arfken), you know the work is in trouble! I can’t understand why they chose anything by Canadian playwright George F. Walker to mount? He may be the worst playwright to find his plays on stage that I’ve ever encountered.