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See What I Wanna See – Garage Rep

And director Lili-Anne Brown manages to turn See What I Wanna See’s overly plodding pacing into an otherwise brisk two hours of beautiful music and stirring performances. LaChiusa, much like Sondheim, never makes the work of the actor or director easy. Refusing the more cloying sentiments of a Rodgers and Hammerstein, his work requires constant focus and subtle emotional turns. Thankfully Bailiwick Chicago Theatre is up for the challenge!

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ReviewsREVIEWS BYTheatre ReviewsTom Williams

She Kills Monsters – Garage Rep

Filled with colorful customs, shadow puppets, and loads of stage combat, Qui Nguyen’s ridiculous comedy, She Kills Monsters, is highlighted with much screaming, physical comedy and over-the-top performances. This wild and unworkable mess is the story of a most unlikable lead character, Agnes (Katherine Banks)’s life is tuned upside down when she stumbles upon her late sister’s Dungeons & Dragons notebook

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ReviewsREVIEWS BYTheatre ReviewsTom Williams

Peyton Place

In Paul Edwards’ smart, nicely paced and well acted stage adaptation, Peyton Place unfolds as a period piece of life in the repressed 1950’s small town America. We meet three women coming to terms with their sexual identities. Constance MacKenzie (Sheila Willis) is an emotionally drained woman and mother to the sensitive and precious daughter Allison (Catherine Gillespie) – am aspiring writer. Add Selena Cross (Sara Renee Gilbert), the poor girl from the ‘shacks” and we have three microcosms of the emerging women of the ’50’s.

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Music ReviewsReviewsREVIEWS BYTheatre Reviews

Improbable Frequency

Improbable Frequency is set during WWII—or “The Emergency” as it was then known to neutral Ireland—and recounts the adventures of Tristram Faraday (Mike Dailey)—a British code breaker, spy, and cruciverbalist (meaning one who compiles crossword puzzles). Being dispatched to Dublin in 1941 to investigate a series of implausibly portentous radio broadcasts, Faraday there encounters a colorful cast of IRA revolutionaries, mad scientists, and double agents. Infiltrating their nefarious ranks, Faraday comes face to face with an insidious scheme to…well, best not get into that now. Let’s just say that Improbable Frequency carries on in the absurdist vein (think James Bond meets early Tom Stoppard), humorously stretching the limits of plausibility as far as they can go.

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