Tom Williams Was a Marine brig as nasty and torturous as that depicted in Kenneth H. Brown’s play? Brown spent 30 days in the brig for going AWOL so maybe his memory was a tad tainted? However, as depicted in the Mary-Arrchie production, The Brig surly was hell on earth. The inmates here constantly screamed at (there was so much shouting, I’d advise bring ear plugs). This play features dedicated work from the entire cast.
We meet Franklin as she enlisted in the Union Army just before the first major battle as a man – the persona that she adapted earlier to both escape her abusive father and to find employment as a traveling book salesman. She had plenty of practice living as a man show fooling her fellow soldiers wasn’t very hard for her especially when physical exams were not given in those days. We see how Franklin was just one of the “boys.” among the soldiers of the Michigan regiment. She bravely served and was well liked by her mates.
Alice Still is an important and most pertinent drama that presents the lingering effects of Alzheimer’s on a family, especially a 50something person in their prime of life. It is filled with compassion, humor and humanity with razor-sharp clarity. How the disease affects each family member is plausibly presented
I think for Big Fish to be a hit on Broadway, it needs to consider casting stronger singers; play Edward with more warmth, charm and heart. I’d also cut some scenes and songs to give the show a more streamlined flow. The ending needs to be re-thought and tightened. The eye-popping visuals and the costumes and choreography are the best elements of the show. Now, re-focus the book and make Edward a loveable rascal and this show could swim with other Broadway big fish. There is making of a show here.
While Donnelly’s drama tries to depict the tepid attempts by the British school system to educate even the losers, it wonders of into a sexy no-man’s land with the Zoe-Maz and Zoe-Daniel encounters. It seems that the teachers and students in this school have a predilection toward acting on their sexual desires. But when the Harry tries to bribe Zoe into changing a report about Mickey’s conduct, the tone of the play changes into a series of cover-your-ass exchanges and actions.
Utilizing David Greig’s streamlined version of the classic 1888 August Strindberg’s Creditors, director Sandy Shinner has cast three expert actors to tell the psychological drama where the power of suggestion can fuel mistrust. Adolph (Gabriel Ruiz) is the younger husband of Tekla (Linda Gillum). he is a painter/sculpture artist who is passive toward his aggressive wife who loves to go out evenings while Adolph works at creating his art.
This is a wrenching love story with visceral romantic elements. Galatz is memorizing as he exudes all the rage and pent-up anxiety of the totally alienated and violent truck driver. Kingsley is equally effective as the guilt-ridden woman with low self-esteem. This 80 minute drama is engaging and wonderfully acted. While the play presents the bleakness of alienation it also presents the hope that people can change if they only take the changes to embrace change when it presents itself. This show is worthy of an audience.
I was particularly impressed with Stephen Bumtrock’s vulnerability and his rich tenor voice which was a welcome change from the usual baritones cast as DeBecque. He and Lanza had a plausible romantic spark that added depth to the romantic flavor of the story. Bethany Thomas nailed her songs as Bloody Mary while Stef Tovar was terrific as the rascal Seabee Luther Billis
There latest revue, their 101st, Let Them Eat Chaos, follows the classic Second City formula that includes improv, sight gags, physical antics, wordplay, and audience involvement, songs, and vivid video images. This topic is chaos and the six performers do their creative best to give us a funny show for two hours. While Edgar Blackman, Holly Laurant, Tawny Newsome, Katie Rich, Steve Waltien were all terrific comics, I was especially impressed with the talent of Ross Bryan
In A Permanent Image, now in its Chicago premiere at the Storefront Theater, Carol (Janice O’Neill) has found a strange way to mourn he recently departed husband (Jack McCabe) – shoe painted her entire house, furniture and a all fixtures snow white. When he son Bo (Ed Dzialo) arrives from Is real for his father’s funeral, he quickly concluded that his ‘always-strange’ mother has now gone totally insane