MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEETheatre Reviews

Rent (Theo Ubique)

Since the mere depiction of gay people and mentioning of HIV-AIDS is no longer significant in itself, Weinstein’s cast goes much deeper in developing their characters, providing Rent with the emotional heft to remain relevant in 2016. Add to it Jeremy Ramey’s always meticulously balanced musical direction of Larson’s famous rock songs, and you have a magnificent production.

Read More
MUST SEETheatre Reviews

after all the terrible things I do

Pamatmat’s writing deftly and eloquently explores people grappling with things they regret, but can’t put right. To describe the specifics too much would allow readers to figure out things that are supposed to be discoveries, but you may rest assured that Andrew Volkoff’s production and his two outstanding actors tell a story that shows people at their ugliest and most vulnerable, and still treats them with great sensitivity.

Read More
MUST SEEREVIEWSTheatre Reviews

Heathers: The Musical

Besides that changes in the world since 1988 require this show to take a more audacious approach, it also has much more to poke fun at. Nonetheless, the concluding confrontation and resolution are quite dramatically satisfying. Heathers ultimately, and somewhat surprisingly, has a quite positive message, and Kokandy’s production is infectious. No familiarity with the movie is required to enjoy it, but fans will be very pleased.

Read More
MUST SEEREVIEWSTheatre Reviews

Applause

Porchlight Music Theatre undersells itself by referring to its Porchlight Revisits series as “minimally staged.” The three-night-only shows present older, rarely seen musicals on the set of Porchlight’s currently running show (in this case, Far From Heaven), and the actors carry their books. However, at the opening of Applause, the magnificent performers hardly needed any assistance. Not only were their songs exquisite, they also knew the complex choreography Christopher Pazdernik created for the show’s two big numbers, their costumes were just as good as in any full staging, and the orchestra, under the direction of Nick Sula, sounded so good, it’s a mystery why this musical ever faded from public consciousness.

Read More